A blog exploring ideas about creativity, creative thinking, creative problem solving, innovation, applied imagination, education, creative studies and more. Edited by Steve Dahlberg.
Thursday, October 04, 2007
Leading Scientists Gather to Discuss the State of Global Well-Being
[4 October 2007 - GALLUP NEWS SERVICE - Washington, D.C.] Gallup's multinational research reveals subjective perspectives of all aspects of life ... Leading scientists from around the world, including Nobel Prize laureate Daniel Kahneman; Alan Krueger; Angus Deaton; Ed Diener; and John Helliwell are gathering this week at Gallup's Washington, D.C., headquarters to discuss groundbreaking findings on the state of global well-being. Gallup's measures of global well-being reach beyond traditional indicators such as GDP, poverty rates, healthcare expenditures, literacy levels, and life expectancy rates to incorporate subjective self-reported assessments from people in more than 130 countries on virtually all aspects of life. Gallup researchers find clear correlations between overall well-being and subjective assessments of law and order, food and shelter, work, economics, and health, as well as socioeconomic indicators that go beyond GDP -- including measures of military spending, brain drain, and governance. Together, these findings suggest that measures of subjective well-being might help to predict the future of economies and societies as a whole. This behavioral approach to economic forecasting appears to be gaining traction. In September 2007, former Federal Reserve Chairman Alan Greenspan said in an interview, "If I could figure out a way to determine whether or not people are more fearful or changing to more euphoric . . . I don't need any of this other stuff. I could forecast the economy better than any way I know." Gallup systematically gathers these behavioral measures by asking respondents to assess qualitative aspects of their life, both overall and during a specific time period. The resulting global Well-Being Index reveals many findings worthy of further investigation and analysis. Income, for example, appears to play a limited role in defining the emotional state of a country. Gallup found that high-income countries such as Slovenia, Greece, Portugal, Italy, Israel, the United Arab Emirates, Saudi Arabia, and Hong Kong each demonstrate levels of Net Affect that are below average. On the other hand, low-income countries such as Zambia, Vietnam, Nepal, India, Kenya, Tanzania, Madagascar, Niger, Senegal, Mali, Nigeria, Mauritania, and Laos each display Net Affect that are above the average. Gallup monitors measures of subjective well-being by continuously polling around the globe across samples representing more than 95% of the world's population. By collecting and analyzing these measures, Gallup provides world leaders with better tools to examine and predict the future of economies, the performance of governments, and the momentum of the world's population overall. Gallup plans to release further findings on a contract basis and on Gallup.com. More
Thursday, September 27, 2007
Continental Creative President: European Leader Calls for Culture, Diversity and Openness to Solve Global Problems
In the United States, advocates of creative community and economic development are hard pressed to find leadership at the federal level of government -- starting with the omission of creativity and arts in most of education. Yet at the state level, leaders such as Lt. Governor Mitch Landrieu are spearheading projects like Louisiana's Cultural Economy Initiative to help put the state's culture and arts sector at the center of development -- including rebuilding New Orleans after Hurricane Katrina.
I was particularly pleased that President Barroso's closing keynote of the three-day summit made a strong case for the role of creativity, innovation and diversity for addressing global problems such as climate change and fighting poverty. "Those are the two main tasks of leadership in the 21st century," he said. The other global issue linked with solving climate change and poverty is culture. "Culture is a solution."
Though President Barroso's call for creativity was somewhat aimed at the role that Europe can play in addressing global problems, it also is relevant to the rest of the world for engaging people, organizations and communities in creative problem solving.
I will let President Barroso's final words speak for themselves:
Because it is with a paradigm of openness, of acceptance of the difference ... almost the love of difference, to like the difference ... and to see the difference not as a problem, but as something that increases the variety. It is with this attitude that we can face those challenges we have today.In the United States, we need to start advocating for a similar approach and taking deliberate steps to make policies that both support and apply creativity in our cities, states and nation. Perhaps we will begin to hear more specifics about "creative communities" from the U.S. presidential candidates (are we moving that direction?). Indeed, such a position might even help that candidate differentiate himself or herself from the other candidates -- and make an important contribution to 21st century challenges at home and abroad.
We are now in the position of moving from a parochial system to a real open paradigm where we accept the difference -- not tolerate, but to accept the difference (I don't like the word "tolerance") -- as something that increases the variety and the richness of our world.
We have some common rules, of course, and those common rules have to be based in the old principles of freedom and democracy ... but that sees differences, including multi-culturalism, as something that is positive, not as a challenge. So the increased plurism in our society, as a multi-cultural society, is being something good, the cross-fertilization being something good for mankind, for the economy, for the culture, in general.
And this is the change, the evolution, of the paradigm that we need today, where no regional diversity should be pushed out, no culture should be destroyed, that individual identities are strengthened in order to play on the new global stage.
Some days ago I was in Kassel at Documenta, the most important contemporary art event in the world. It was amazing there! It was the best school of globalization I've seen recently because African culture, Latin American culture, Asian culture were not treated as folkloric as (they were) before, but at the same level of respect with European or American culture.
So what's going on in the field of culture, of art, is really amazing. And we should find there the inspiration also for many of the political problems we are now facing.
What we should now do and work (toward as) political leaders, as creative people, from the sciences, is precisely:We need at the same time, all the benefits of the innovation that is now brought by technological discoveries; but (also) the creativity making, very often, the links with the old humanities.
- Proposing, not imposing, solutions.
- Not imposing results, but proposing solutions.
- Asking questions where we try to establish the links and the connectivities between creativity and innovation.
This is where we bring the idea of connection -- using knowledge effectively from science AND culture (when I say "culture" I include the poetry, I include the arts) -- bringing together those aspects, not just technological innovation, but creativity of spirit.
And this is the kind of leadership we need -- leadership that brings humanism back into (the) question. In the European Union, we can give a contribution to this because we are trying to promote an open, outward-looking, engaged society. That is why I believe we have to do that with others (around) the world. Not with the old idea of sovereign states that try to rule the world, but precisely working with the member states, with the idea of a "community of interest" with an ethic of a global responsibility. In Europe we are well-placed to do that and we want to do that with our good friends around the world.
Wednesday, September 26, 2007
Huckabee: God designed kids to be creative
Exhibition Review: Jane Jacobs, Foe of Plans and Friend of City Life
“Jane Jacobs and the Future of New York” continues through Jan. 5 at the Municipal Art Society, 457 Madison Avenue, at 51st Street; (212) 935-3960.
Robert Whitcomb: Aging with the arts
Creative Economy Conference Report Now Available
Tuesday, September 18, 2007
Vision Problems
Wednesday, September 12, 2007
Brain study shows a sharp political divide
Smarts require teamwork in the brain
Tuesday, September 11, 2007
User Innovation in the Catholic Church: Dioceses of Cologne launches idea competition platform
Wednesday, August 29, 2007
U.S. Faces 'Reverse Brain Drain' from Immigration Woes, Study Warns
See also: Harvard: 'Reverse Brain Drain' To Hurt Silicon Valley ... Researchers: Massive Increase In Permanent Visas Needed More
Tuesday, August 28, 2007
Play, Spirit + Character
A longer day, but less time for play: New kindergarten is more rigorous
Two Infusions of Vision to Bolster New Orleans
Thursday, July 26, 2007
Bloomberg Announces Plan to Shore Up Arts in Schools
Friday, July 13, 2007
Richard Florida to Head Centre in Toronto: Reverse brain drain brings urban expert to U of T
Thursday, July 05, 2007
Innovation a key theme at NECC 2007
Wednesday, June 27, 2007
The Arts Mean Business
Sunday, June 24, 2007
National Religious Gathering Explores Faith, Science, Creativity and Society
The "Synod in the City" was designed to engage the broader community with the UCC members and delegates in learning, playing and worshiping together throughout downtown Hartford. Several keynote presenters spoke throughout the day and I offer some brief summaries below (with more to come). The themes from these presentations not only touched on faith, religion and theology, but on creativity, purposeful life, science, culture, society and politics. The day opened with a presentation by journalist Bill Moyers (video), followed in the afternoon with a keynote from Senator Barack Obama (video) -- both UCC members.
Many of the presentations will eventually be available online. Monday will feature a keynote (2:30 p.m. EDT) by Marian Wright Edelman, founder and president of the Children's Defense Fund.
FROM SATURDAY, JUNE 23, 2007:
Walter Brueggemann: An Old Testament scholar and writer who has authored more than 58 books, hundreds of articles, and several commentaries on books of the Bible. His most recent book is Theology of the Old Testament.
- Biblical stories help us explore "what is valued and who is valued."
- It is the poets who help us imagine "that the world can be organized differently."
- "The poets notice" -- not the ideologues, the moralists.
- Talking about 9/11 -- "the poets go to the depth of crisis and reach into God's conflicted heart."
- Jeremiah offers two triads for the church and society: one is the trajectory of death (wealth, might and wisdom) and the other is a trajectory of life (love, justice and righteousness). The latter adheres with the divine purpose for life -- and it's something "all of the church needs to be talking about."
- Talking about differences in the church, he said, we need to "learn to care with dignity and respect" for those who do not sign on to this particular agenda.
- "Anxiety is the main pathology in our society to which pastors must respond." This anxiety is generated by our focus on wealth, might and wisdom, as well as our focus on never being good enough. He said there is a "deliberate program of inadequate productivity that leaves everyone" ineffective and unproductive.
He began his remarks by sharing his faith background as a Unitarian, in which he developed a life-long desire to keep learning about truth, a thirst for knowledge, and a way of living informed by the Golden Rule.
- He said fashioned himself an inventor at five years old, though he doesn't know exactly why. However, "the key to invention is timing." He said many inventors get their products to work, but the timing to bring them to market or to have an impact in society is sometimes off.
- For many years, he has worked on predictions about technology and its impact. He said specifics are not predictable, but the overall impact of technology is. Yet people often don't pay attention to such predictions: "Exponential growth is seductive and surprising."
- He demonstrated one of his inventions: a hand-held device that blind people can use on the move to read signs, books and other printed material. The device has camera imaging technology, software and a voice reader.
- For Kurzweil, the connection between technology and faith has to do with our "quest for deeper meaning and to understand more of the world."
Wednesday, June 20, 2007
NCPR News Forum explores aging and creativity
Saudi Students Showcase Innovation at National Final of Software Design Tournament
Tuesday, June 19, 2007
What Else Is New?
Monday, June 18, 2007
Report: NCLB has changed teaching, not always for better
Monday, June 11, 2007
The Value of Openness in Scientific Problem Solving
Thursday, June 07, 2007
The Biology of the Imagination
Monday, June 04, 2007
Local view: Now could be creative turning point for Duluth
As the Duluth-Superior area proceeds into the Knight Creative Communities Initiative, it’s important to consider how to engage everyone’s creativity — not just that of artists or the creative class — in community and economic development.
Creativity matters in business, education, nonprofits, government, arts and neighborhoods. It matters for children in school, for professionals in the workplace and for retirees in the community.
For more than 15 years, I’ve been working internationally in the field of creativity, advocating for the importance of creative thinking and helping people unleash and harness more of their inherent creative abilities.
Yet my creative endeavors began in Duluth as a teenage entrepreneur, a freelance writer and photographer and a political junkie. I am delighted to know that the Duluth-Superior area was among just three cities chosen by the John S. and James L. Knight Foundation to work with economist Richard Florida.
In my work, I’ve repeatedly seen people discover through creativity what gives them purpose and meaning and then begin to translate those desires into concrete realities. As a result of this insight, I’ve been exploring how we might be more intentional about helping people become better creative thinkers and do more of what gives them a sense of purpose.
This is engagement — doing what we love, what we are good at, what gives us meaning, what makes us happy and what uses our strengths. Tapping into this is what the KCCI is all about.
The Duluth-Superior area, like many regions, faces the challenge of engaging as many people as possible in creating a positive community. The risk of not doing this is creating a community with stagnant job growth, environmental losses, schools that resemble factories and people who flee the decay or stay because they don’t care.
Creativity is key to engaging people and can be pursued in many areas.
We can deliberately teach for creativity — helping students learn how to think in new ways, develop their strengths, imagine alternatives and generate ideas.
We can develop cultures of creativity in organizations, where everyone’s creativity is encouraged and valued and leads to transformational innovations in products and services.
We can link entrepreneurship, research and creativity so that people know how to translate great ideas into real businesses, producing more jobs and a flourishing community.
We can help pre-retirees and seniors use creativity to identify their purpose and ways in which to express this in their community. Many are living longer and healthier than ever before. “Checking out” of the community after full-time work isn’t an option.
We can get citizens involved in the democratic process by applying their creative thinking and problem-solving. Creativity provides a process for dialogue, better understanding and integrating diverse viewpoints.
We can shape economic development opportunities that are based on explicit creativity goals, along with traditional objectives. We need to learn to consciously talk about development in a creativity context.
We can use public art to beautify public space, and to involve community members in conceptualizing and creating the art itself.
We can engage nonprofits and faith communities not only in serving their communities, but actively imagining and creating them as well.
Any community in America can pursue these opportunities. Whether it’s cities like Duluth, the inner city of North Minneapolis or the former New England mill town where I live now, the challenge remains the same: How might we deliberately apply our creativity, engage in personally meaningful activities and improve the quality of life in our city or neighborhood?
My experience growing up in Duluth in the 1980s incorporated three of the “Ts” that Richard Florida describes: talent, tolerance and territory.
My talents of today were seeded in Duluth — in schools, at the public library, in small businesses, in political involvement and in volunteering. Plus, I benefited from mentors, teachers and parents who recognized and encouraged my strengths and talents.
In Duluth, I first learned to appreciate the value of immigrants and the importance of social justice. I became open to diverse ideas, arts, creativity and politics.
Duluth instills an authentic sense of place, blending its unmatched natural assets with built amenities — from hiking, skiing, picnics and the lake to more recently added amenities such as the Lakewalk, coffee shops and cool entrepreneurial businesses.
Hopefully, May 2007 will be a turning point for the Duluth Superior Area — where the creative capacity of each individual is recognized, the future is imagined together and the common good is enhanced through collective creative expression. The time is now to transform the raw materials of the past 20 years into the vibrant creative community waiting to be born.
Steven Dahlberg is a native of Duluth, a writer and principal of the International Centre for Creativity and Imagination, a creativity consulting firm based in Willimantic, Conn.
Make Your Company a Talent Factory
At 3M, A Struggle Between Efficiency And Creativity: How CEO George Buckley is managing the yin and yang of discipline and imagination
3M's Battle Between Efficiency and Creativity: Inside Innovation Issue #5
Tuesday, May 08, 2007
Two New 'Harvard Business Review' Articles About Creativity ...
Picking Winners: A Conversation with MacArthur Fellows Program Director Daniel J. Socolow
What can business leaders learn from the organization that confers the storied "genius grants"? For one thing, that exceptional creativity is very hard to find. If you're looking for a way to pack your staff with outstanding talent, you're probably on the wrong track. ... In the business world, "creativity" has become the latest buzzword. How to attract, nurture, and direct the extraordinarily talented people who will come up with the next Lipitor, Sony Walkman, or iPod is an enduring topic among businesspeople. As the director of the MacArthur Fellows Program, Daniel J. Socolow has considerable experience with the process of rooting out creativity. In this conversation with HBR senior editor Diane Coutu, he describes how recipients of the "genius grant"--half a million dollars with no strings attached--are chosen. As significant as the money is, the recognition that comes with a fellowship may be more so. MacArthur grants provide powerful validation of the fellows' work, Socolow says, and that validation opens doors for people, whatever the field. Although the program keeps a lookout for entrepreneurs who are on the brink of major new advances, he believes that the market does a good job of rewarding the best ideas in the business. Replicating the MacArthur model in a company would entail giving some employees unlimited time and lots of money to follow their own inclinations--not very feasible in most contexts. Nevertheless, the program has learned a lesson that may be valuable for business: The kind of creativity that leads to important breakthroughs is extremely hard to find. And, says Socolow, exceptionally creative people aren't always the obvious suspects, who may simply be good at promoting themselves: "Listen to others and look in the least likely places ... Extend your networks and try to get information from as many people as possible, just as we do." More
Inner Work Life: Understanding the Subtext of Business Performance
New research shows how business performance is driven by workers' state of mind--and how managers, if they're not careful, can drive both down. Teresa Amabile and Steven Kramer's new stream of research, based on more than 12,000 diary entries logged by knowledge workers over three years, reveals the dramatic impact of employees' inner work lives—their perceptions, emotions, and motivation levels—on several dimensions of performance. ... Anyone in management knows that employees have their good days and their bad days--and that, for the most part, the reasons for their ups and downs are unknown. Most managers simply shrug their shoulders at this fact of work life. But does it matter, in terms of performance, if people have more good days than bad days? Teresa Amabile and Steven Kramer's new stream of research, based on more than 12,000 diary entries logged by knowledge workers over three years, reveals the dramatic impact of employees' inner work lives--their perceptions, emotions, and motivation levels--on several dimensions of performance. People perform better when their workday experiences include more positive emotions, stronger intrinsic motivation (passion for the work), and more favorable perceptions of their work, their team, their leaders, and their organization. What the authors also found was that managers' behavior dramatically affects the tenor of employees' inner work lives. So what makes a difference to inner work life? When the authors compared the study participants' best days to their worst days, they found that the single most important differentiator was their sense of being able to make progress in their work. The authors also observed interpersonal events working in tandem with progress events. Praise without real work progress, or at least solid efforts toward progress, had little positive impact on people's inner work lives and could even arouse cynicism. On the other hand, good work progress without any recognition--or, worse, with criticism about trivial issues--could engender anger and sadness. Far and away, the best boosts to inner work life were episodes in which people knew they had done good work and their managers appropriately recognized that work. More
New Book from Harvard Business School: Smart World: Breakthrough Creativity and the New Science of Ideas
Monday, May 07, 2007
Q&A: Rediscovering Schumpeter: The Power of Capitalism
Monday, April 30, 2007
Are Entrepreneurs Down in the Dumps?
Thursday, April 26, 2007
Oops, I Did It Again: New brain research may help explain why some people don't seem to learn from their mistakes.
Thursday, April 19, 2007
Leadership Forum: What is to be done?
Monday, April 16, 2007
Bringing Einstein back down to earth: Walter Isaacson delves into the private life of a genius
Tuesday, April 10, 2007
Engaging Creativity in the Classroom ... and the Community
Windham teacher Lynn Frazier wrote to Gruwell, telling her about the impassioned work of her young poets. She told Gruwell about what a difference writing makes for these students, about the impact Gruwell's story had on them, and about how these students had fundraisers and a
pancake breakfast to go hear Gruwell tell her story.
Before going on stage, Gruwell read that letter and was moved to tears. She then entered a nearly packed auditorium and singled out the 30 Windham High School students – telling them to stand up, thanking them for their work and for being there, and acknowledging them several more times during her speech.
As a Willimantic resident, I am proud to know that these students are in my neighborhood everyday, learning through writing and creative expression how to discover their potential and uniqueness.
I am also aware that the opportunities for such learning do not happen frequently enough, especially for high school students. Some argue that it's too late to provide "extra" activities, such as arts and creative thinking, that it won't make a difference in these teenagers' lives.
Yet, as the "Freedom Writers" movie and the Windham Young Poets demonstrate, sometimes expressing oneself with pen and paper is the ONLY thing keeping some students engaged in school.
Our challenge as a community is how to provide more learning opportunities like this, which focus on students' strengths and talents, on what's working and connecting, and on the hope and possibilities of these individuals.
Our community grows and thrives when people's creative capital is expressed in positive ways. These young people provide one example of how each of us might contribute in unique ways to developing our community. What next …?
Creativity is ...
CREATIVITY IS …
* Looking at the ordinary and seeing what others don't see
* Passion – being own voice
* Responding to conflict
* Coming out from under
* Inspiration
* Energy
* Perseverance
* Universal
* Sharing
* Spontaneous
* Intuitive
* Your own way of interpreting of things around you
* Coming with your own ideas
* Drawing, dancing, walking, singing
* Unique, genuine, given easily, capable, reliable
* Freedom to think of new ideas and ways of doing things
* Sense of bringing to well-being
* New interest, focus, happiness, fulfillment
* Thinking out of the box
* Ideas practically formulated into reality
* Imagination acting on life
* Spiritual – from God
* Co-creator with the divine
* Being able to visualize
* Bring unrelated resources together to make something new
* Making something from nothing
* Tapping into the great unconscious
Friday, April 06, 2007
Anna Freud on Creative Minds ...
Monday, April 02, 2007
Develop creative neighbourhoods using 'inner artist': New approach sought in building future urban developments
Diversity Goals Help Kids in School -- and Later in Life
Sunday, March 25, 2007
Hartford Explores the Role of Creativity and Arts in Education, Business and Community
Moderator and GHAC's Executive Director Ken Kahn started off by asking The Stanley Works' Vice President Tim LeBeau about the importance of creativity in the workplace. LeBeau said that creativity is at the heart of what they do: "We are paid for brand and innovation." He said that because innovation comes from people, they need to be critical thinkers. Creativity also comes into play in designing products for function AND fashion.
Jonathan Gillman, chair of theater department at the Greater Hartford Academy of the Arts, explored ideas about developing creativity in arts students. He said that many first-year students at his school are out of touch with their own creativity. However, being at an arts-based school, each department teaches creativity through a variety of art forms. In response to LeBeau's call for critical thinking, Gillman agreed and was quick to add that creative thinking goes side by side with critical thinking.
Ultimately, Gillman said the aim of the Academy of the Arts is to educate creative, engaged citizens who contribute to the world. This doesn't end at the school's front door. Rather, he said that arts education is a lifelong process, as it has to do with ways of thinking in general and of perceiving the world. More
Monday, March 19, 2007
INNOVATION: How to Implement New Ideas
Monday, March 12, 2007
Celebrate Windham Kids and Creativity
[8 March 2007 - By Steve Dahlberg - Willimantic, Connecticut] The Windham Arts Center (WAC) will host the opening exhibition of "Creativity: The Heart of Community" Windham Banner Project on Saturday, March 17, from 1 to 4 p.m., with a special presentation at 3 p.m. The event is free and open to the public and will take place in The Annex at WAC, 866 Main Street, Willimantic, Conn.
The Windham community will celebrate public art designed and created by 1300 students from Windham's four elementary schools, including Natchaug, North Windham, Sweeney, and Windham Center. Sixty-four unique banner designs will be hung on Main Street lampposts in Willimantic as public art -- created BY the community FOR the community.
Artist JoAnn Moran of rePublicArt worked with students and teachers for three weeks as part of the Windham Schools Artist-in-Residence Program, which is supported by a $50,000 gift from the Ossen Fund for Arts Education. Through the use of recycled vinyl billboards as the banner material, Moran helped students learn about the importance of sustainability, public art and creative communities.
The Windham Banner Project is part of an ongoing creative community project, working to promote the value of creativity, arts and culture in community and economic development. The 3 p.m. program will represent members of this broader community, including performance artists from the Windham High School Young Poets group, advocate and organizer LaResse Harvey, artist JoAnn Moran, Willimantic resident Steven Dahlberg, and others. Plus, meet the young artists, view an exhibition of their design process, see the banners on Main Street, and share your ideas for future creative community projects.
The City of Toronto Poet Laureate Pier Giorgio Di Cicco says of community creativity: "Creativity is that celebration where people re-invent the world ... where they can be themselves and think imaginatively. ... People want to be accepted and acknowledged in their creative skills as citizens. What they are is already creative. The project is to have them recognize it."
In this spirit, the Willimantic creative community projects include several goals and benefits:
- Using creativity and arts to engage the public in their community.
- Providing visual beautification elements through public art to the downtown district.
- Showcasing the creation of sustainable art and green communities.
- Celebrating the diversity of the community -- including male and female, multi-generational, multi-ethnic, and multi-organizational.
- Building on and complementing current arts and cultural initiatives, such as Third Thursday Willimantic Street Fest, the Cinema Project, the Willimantic Victorian Home Tour, the Windham Theatre Guild, the Romantic Willimantic Chocolate Festival,
among many others. - Offering educational programs that help Windham students and adults develop and apply their creative thinking skills.
Two of the young banner artists expressed some benefits of creativity and public art: "Public art will help everyone in town imagine wonderful things," and "Our lamppost banners will make our
city feel creative. Our public art will also make our creativity shine to our town."
Additional supporters of the Windham Banner Project include Willimantic Waste/The DeVivo Family, Town of Windham, Windham Arts Center, The Home Depot, rePublicArt, and the International Centre for Creativity and Imagination.