Showing posts with label Education. Show all posts
Showing posts with label Education. Show all posts

Friday, September 13, 2013

Irish Poet Anne F. O’Reilly to be Featured in “The Nature of Creativity” Workshop at South Kent School in Connecticut

The Center for Innovation at South Kent School is hosting “The Nature of Creativity” workshop, presented by the New Milford, Conn.-based International Centre for Creativity and Imagination. The workshop is from 9 a.m. to 4 p.m. on Saturday, Sept. 28, and will take place at the Center for Innovation’s classroom at 170 South Kent Road in South Kent, Conn.

The workshop will feature Irish poet and teacher Anne F. O’Reilly and director of the International Centre for Creativity and Imagination Steven Dahlberg, along with several collaborators who will guide an exploration of how nature inspires us to be more creative. The workshop is open to everyone – from teachers, business people and artists to community leaders, environmentalists and individuals looking to create positive change. It starts with the premise that everyone is a creative being.

The event will take place at the new classroom at South Kent School’s Center for Innovation, where participants of the workshop will take part in experiential exercises to help them tap into and develop their creativity. They also will explore connections to how nature inspires the creative process and connect with others who are seeking purposeful engagement in their communities.

Using nature as a guide, participants will explore these themes – (re)discovering your capacity to be creative, cultivating a sense of place, fostering curiosity and wonder, discovering rhythm, valuing diversity, nurturing interconnectedness, awakening the senses, and more. Plus, they will learn how to overcome blocks to creativity, practices for accessing their creative inner nature, and ways for connecting beyond themselves to take action in their communities.

The day will conclude with a special event on “The Nature of Wine,” exploring the intersection of creativity, wine and the brain, from 5:30 to 7 p.m. on Sept. 28 at Hopkins Vineyard at 25 Hopkins Rd. in New Preston, Conn. The winemaker and winery manager will join Dahlberg and O’Reilly to continue exploring lessons and metaphors from nature that inspire creativity and learning. This event looks at how master sommeliers learn to understand wine, what’s happening in the brain when they taste wine, and how they transfer this knowledge and experience to others. Participants will look at, smell and taste wine as the experts do, sampling four Hopkins wines in the process. Registration information is at .

Poet Anne F. O’Reilly will be “Creator in Residence” at the International Centre for Creativity and Imagination from September 25 to October 7, and will be leading a series of workshops and poetry performances while she is in Connecticut. She is based in Dublin, Ireland, and is the author of a print collection of poetry, Singing From the Belly of the Whale, a CD collection, Breathsong, and the book, Sacred Play: Soul-Journeys In Contemporary Irish Theatre.

The Center for Innovation is located on the property adjoining South Kent School’s main campus in South Kent, Conn. Through its hands-on learning experiences and community outreach, the Center for Innovation encourages inquiry into the dynamic interplay between human creativity, intuition and sustainability.

To register and for more information, visit http://natureofcreativity.org/.

Thursday, September 05, 2013

Finding Creative Inspiration From Nature

"Nature has a large potential for enhancing creativity. The reason seems to be that the feelings, which are enhancing creativity, are the same feelings which are evoked when one is in nature. Nature has the ability to set one in a state of mind which enhances creativity, because nature makes us feel open and unlimited, playful and excited, refocused and invigorated, calm and energized. At the same time nature can be a great source of direct inspiration, which also explains its ability to enhance creativity." - "Nature & Creativity: How and Why Nature Enhances Human Creativity," Master Thesis by Trine Plambach
On September 28, you can take part in a series of experiences designed to develop your personal creativity, taking inspiration from nature, as well as explore how you can connect your creative purpose with other people to cultivate new possibilities for yourself, your community and the earth. Facilitators include Irish poet Anne F. O'Reilly, creativity educator Steve Dahlberg and other collaborators. Find out more and register now for THE NATURE OF CREATIVITY: A ONE-DAY WORKSHOP ON HOW NATURE INSPIRES US TO BE MORE CREATIVE, at the Center for Innovation at South Kent School in Kent, Connecticut. The Center is the school's new farm-based "classroom" that encourages inquiry into the dynamic interplay between human creativity, intuition and sustainability. The day ends with a related event on "THE NATURE OF WINE," a special evening exploring the intersection of creativity, wine and the brain at Hopkins Vineyard.


Tuesday, March 27, 2012

2-Day Creativity Conference in April in Connecticut

An exciting, two-day conference -- "Advancing Creative Thinking: Imagination to Innovation" -- will take place in Ridgefield, Conn., on Friday, April 27, and Saturday, April 28, 2012. The conference is presented by The Aldrich Contemporary Art Museum, Ridgefield Library, and Ridgefield Arts Council, along with media sponsor, The Morris Media Group.

This cross-disciplinary conference will explore creativity and the creative process through the lenses of imagination and innovation -- which are at the heart of the creative process in every discipline, from the arts to education to business to government. While imagination opens up new possibilities, innovation seeks and identifies new opportunities for critical thinking and creative problem solving. A diverse range of keynote sessions, cross-disciplinary conversations, panel dialogues, and workshops will focus on the creative process and demonstrate that creative thinking is truly a necessary skill for the twenty-first century.

Friday’s opening keynote will feature New York Times tech columnist David Pogue on "Disruptive Creativity: How Bright Ideas Change Everything." The conference will close on Saturday evening with Nicholas Donofrio, fellow emeritus at IBM, on "Innovation for the 21st Century. "

During the day on Saturday, participants will have many programs to choose from ...

Creative Conversations include:
  • "Stories of Innovation Success" with Matt Greeley, CEO of BrightIdea, and others.
  • "Creative Models for Towns and Cities" with Linda Lees, founder and director of Creative Cities, and others.
  • "Artistry Unleashed" with Hilary Austin from the Rotman School of Business at the University of Toronto.
Participatory Workshops will encourage attendees to put the creative process into practice:
  • "Altered Books" with artist and illustrator Katie Stephenson.
  • "Drawing: Gray Matters!" with Claire Watson Garcia from the Silvermine School of Art.
  • "Sparking Idea Engines: How to Inspire Creative Breakthroughs" with Brian Mattimore, founder and principal of The Growth Engine.
  • And more!
The speakers are drawn from the arts, education, business, technology and government sectors, including affiliations with the New York Times, Bill and Melinda Gates Foundation, Jump Associates, BrightIdea, IBM, dosomething.org, International Centre for Creativity and Imagination, Alliance for Childhood, Creative Cities International, University of Toronto, University of Connecticut, and others. Presenters are coming from locations including Ireland, Toronto, Washington DC, Philadelphia, Boston, New York City, and San Francisco.
 
CONFERENCE REGISTRATION:
  • $125 - full-conference ticket for Friday afternoon to Saturday evening.
  • $95 - All-day Saturday programs only, including the evening reception and keynote.
  • $35 - Friday-evening keynote and reception only.
  • $35 - Saturday-evening reception and keynote only.
  • $25 - A special, pre-conference program for educators (including the following reception at The Aldrich) -- featuring Irvin Scott from the Bill and Melinda Gates Foundation.
Programs will take place at The Aldrich Contemporary Art Museum and at the Ridgefield Library. Check out the full listing of events and purchase tickets; or call 203-438-2282 for more information.

Monday, May 23, 2011

Dahlberg to Moderate Teachers College Imagination Conversation

Teachers College Presents an Imagination Conversation, a Project of the Lincoln Center Institute, during its "Creativity, Play and the Imagination Across Disciplines" Conference

Imagination First: Unlocking the Power of PossibilityJoin invited guests - including the creator of Imagination Conversations, Scott Noppe-Brandon - and explore with us the importance of imagination and creativity in education, gaming, design and the arts. Bring YOUR "imagination story," too! Now more than ever, we must nurture imagination in our schools, create environments for innovation in workplaces, and build cultures for creativity in our communities. Lincoln Center Institute is fueling the development of imaginative thinking through the Imagination Conversations, a series of moderated public panels being held in all 50 states. These bring together leaders from an array of fields to explore the importance of imagination in their professional lives and society. The Conversations are leading to a national gathering, America's Imagination Summit, at Lincoln Center in July. Learn more about Imagination Conversations at www.imaginationconversation.com.

1:30-3 p.m., Friday, May 27, 2011 – Teachers College, Columbia University

Guests Include:
  • Scott Noppe-Brandon, Executive Director, Lincoln Center Institute; Co-Author, "Imagination First"
  • Jonathan Batiste, Jazz Musician; Music Curator, National Jazz Museum in Harlem; Actor, HBO's "Treme"
  • Donald Brinkman, Program Manager, Games for Learning, Digital Humanities, Digital Heritage; Microsoft Research
  • Suzanne Enser-Ryan, Interim Education Director/Head of School, Teacher and Docent Programs, The Aldrich Contemporary Art Museum
  • Magdalena Gomez, Co-founder and Artistic Director, Teatro V!da
  • Michael Lofton, Education Director, Pilobolus
  • MODERATOR: Steven Dahlberg, Director, International Centre for Creativity and Imagination; Vice President of Innovation, Future Workplace; Faculty, University of Connecticut

Wednesday, May 11, 2011

Experiential Creativity Workshop Series at Arts & Ideas Festival - June in New Haven, Conn.

The International Festival of Arts and Ideas will feature “Unleash Your Creativity,” a series of three, experiential creativity workshops. The Festival runs from June 11 to 25, 2011, in New Haven, Conn. The workshops are June 18, 21 and 25.
The workshops will help participants explore their creativity, learn tools for new ways of thinking, find alternatives, get unstuck, discover others who value creativity, and engage creativity in the workplace. This series links the creativity of others with an in-depth opportunity to (re)discover and engage one’s own creativity and its applications to organizations and society. Full details about each workshop and its facilitators, along with registration information, can be found online (register here) or by email. The three workshops include:
  • At Albertus Magnus College: “Embodying Creativity: Engaging Creative Collaboration Through Movement and Play,” 9 a.m. to 4 p.m. on Sat., June 18. This workshop features facilitators from Pilobolus Dance Theatre, InterPlay Connecticut, Clifford Beers Child Guidance Clinic, and the Alexander Technique, as well as Irish poet Anne O’Reilly who will explore how play creates the space for creativity and transformation. No previous dance experience is necessary to participate in this day, but be prepared to move. This workshop is $99 and includes the all-day workshop, lunch and a ticket to Susan Marshall Dance Company’s “Adamantine” at 5 p.m. on June 18. MORE
  • At Yale University School of Art: “Creativity in the Workplace: Engaging Creativity, Design and Innovation in Organizations,” 12 to 4 p.m. on Tues., June 21. This workshop features AIGA Connecticut President Rich Hollant, International Centre for Creativity and Imagination Director Steven Dahlberg, and Irish poet Anne O’Reilly. This workshop is $99 and includes the half-day workshop, a reception, Paul Bloom’s “Ideas: How Pleasure Works” lecture at 5:30 p.m., and a ticket to Jack Hitt’s “Making Up the Truth” at 8 p.m. on June 21. MORE
  • At Albertus Magnus College: “Composing a Creative Life on Purpose: Engaging Meaning in Life and Work,” 9 a.m. to 4 p.m. on Sat., June 25. This workshop features facilitators who will lead hands-on experiences – in arts therapy, education, creativity, art, spirituality and intuition – that will help participants engage their creativity on purpose and for purpose. This workshop is $99 and includes the all-day workshop, lunch and a ticket to David T. Little’s “Soldier Songs” at 5 p.m. on June 25.  MORE
O’Reilly is a special guest from Dublin, Ireland, whose readings and performances will be uniquely featured in all three workshops. Her participation is supported by Imagine Ireland. O’Reilly is the author of the book, Sacred Play: Soul Journeys in Contemporary Irish Theatre; a book of poetry, Singing from the Belly of the Whale; and a CD of her poems, Breathsong.

Additional facilitators include Renee Jaworski, Pilobolus dancer and associate artistic director; Lisa Laing, Certified InterPlay Leader; L'Ana Burton, director of CDC Creative Dance Continuum and teaching artist for the Connecticut Commission on Culture and Tourism; Rachel Bernsen, Certified Teacher of The Alexander Technique; Carol Pollard, associate director of the Yale Interdisciplinary Center for Bioethics; Dorie Shallcross, author of Intuition: An Inner Way of Knowing; Lisa Furman, artist and associate professor, Albertus Magnus College; Evie Lindemann, assistant professor/clinical coordinator master of arts in art therapy program, Albertus Magnus College; and Alice Forrester, executive director, Clifford Beers Child Guidance Clinic.

The “Unleashing Your Creativity” Series is curated by Steven Dahlberg, who heads the Connecticut-based International Centre for Creativity and Imagination and teaches “Creativity + Social Change” at the University of Connecticut. The centre is dedicated to applying creativity to improve the well-being of individuals, organizations and communities.

The series is presented by the International Centre for Creativity and Imagination, Albertus Magnus College, the Yale Interdisciplinary Center for Bioethics, and Connecticut Creates, in partnership with International Festival of Arts & Ideas.

The mission of the International Festival of Arts and Ideas is to create an internationally renowned festival in New Haven, Conn., of the highest quality with world-class artists, thinkers and leaders, attracting and engaging a broad and diverse audience celebrating and building community and advancing economic development.

Thursday, February 24, 2011

Berenice "Bee" Bleedorn -- Celebrating and Remembering a Great Educator, Philosopher, Humanist, Artist

To my fellow creative dreamers,

This morning I received word that we have lost one of The Great Ones in the creativity field. My dear friend -- our dear friend -- Berenice "Bee" D. Bahr Bleedorn has died. She was my friend and mentor and inspiration and colleague and teacher who got me into the creativity field 20 years ago this fall at the University of St. Thomas. Her passing leaves a (w)hole in the world. When Bee's 2005 book came out, the "book warming" invitation had a poem on it that was written for her by a Metropolitan State University student in the early 1970s. It really states the impact of Bee on us, and the way we should continue to always see the creative potential in others:

SEED WOMAN
By Kathleen Kuehnast

Seed Woman
Sower of human potentials,
Like a chemist
You experiment with possibilities
And mix together the unordinary
Until it becomes extraordinary.

We will always need in this world
Flowers and roots, seeds and ground,
and a sower -- whether it be the wind
Or you.

For those of you on Facebook, several comments have been left. Please add your thoughts, if you would like.

It looks like the funeral will be Tuesday afternoon at St. Joan of Arc in Richfield, Minnesota. Bee's daughters will confirm this on Friday. A full obituary will be in the papers on Sunday. You can also add comments to the online legacy in the Star Tribune obituary listing.

FRIENDS, please plan to come and join us to celebrate Bee's life with us ... most likely after the funeral on Tuesday. Please share this information and invitation with others, and we will update you with the specifics in the next day or so.

With a heavy heart, filled with gratitude for the 20 years of knowing Bee ...

Steve Dahlberg
International Centre for Creativity and Imagination
http://www.appliedimagination.org/

# # #

Never Too LateEducation is Everybody's Business: A Wake-Up Call to Advocates of Educational ChangeThe Creativity Force in Education, Business, and Beyond: An Urgent MessageAn Education Track for Creativity and Other Quality Thinking Processes

Monday, February 21, 2011

On Purpose, Learning and Strengths

Flourish: A Visionary New Understanding of Happiness and Well-being
The Will to Meaning: Foundations and Applications of Logotherapy (Meridian)“(Teaching) children is vastly more than fixing what is wrong with them. It is about identifying and nurturing their strongest qualities, what they own and are best at, and helping them find niches in which they can best live out their strengths.” -- Martin E.P. Seligman

“If you don’t recognize a young man’s will for meaning, you make him worse, you make him dull, you make him frustrated, you still add and contribute to his frustration … there must be a spark, a search for meaning. Let’s recognize this, let’s presuppose it and then you will elicit it from him and make him become in principle what he is capable of becoming.” “If you take man as he really is, you make him worse. But if we seem to be idealists in our overestimating, overrating man and looking at him that high … you know what happens? We promote him to what he really can be.” -- Victor Frankl

(h/t David A. Weisberg)

Wednesday, December 15, 2010

WSJ: What Makes Kids Creative

Researchers believe growth in the time kids spend on computers and watching TV, plus a trend in schools toward rote learning and standardized testing, are crowding out the less structured activities that foster creativity. Mark Runco, a professor of creative studies and gifted education at the University of Georgia, says students have as much creative potential as ever, but he would give U.S. elementary, middle and high schools "a 'D' at best" on encouraging them. "We're doing a very poor job, especially before college, with recognizing and supporting creativity," he says. Many parents are stepping into the breach by nurturing their kids' creative skills. They are challenging them to generate new ideas or encouraging them to notice problems in the world around them and research possible solutions. By tolerating "wrong" answers or allowing their children to live in a fantasy world for a while, parents can put off the emphasis on skill-building and achievement, researchers say. ... Some parents are signing their children up for programs designed to foster creativity. One such program, Destination ImagiNation. ... Similar programs include Odyssey of the Mind, and Future Problem-Solving Program International. ... Parents also need to refrain from judging kids' ideas, even if they seem crazy or naive. ... It is best to avoid paying too much attention to the outcome of kids' creative efforts, says Dr. Kaufman, the professor. "The more emphasis put on the final product—'It's so beautiful I'm going to frame it and tell my friends about it,' " he says, the greater is "the risk that the kid is going to do pictures for the praise, and not for the enjoyment." Instead, emphasize effort over results. ... Raising a creative child can be taxing. Such kids tend to have above-average "spontaneity, boldness, courage, freedom and expressiveness," Dr. Kim says. So they sometimes behave like little anarchists. [15 December 2010 - Wall Street Journal - More]

Pure Genius [... It Doesn't Come From the Classroom]

The Genius in All of Us: New Insights into Genetics, Talent, and IQSudden Genius: The Gradual Path to Creative BreakthroughsThe German Genius: Europe's Third Renaissance, the Second Scientific Revolution, and the Twentieth CenturyGenius of BritainIn the popular imagination, geniuses are a breed apart. They are capable of insights or artistic creations that no amount of training and effort could produce in mere ordinary folk. You can squander your genius or fail to fulfil it but, ultimately, you either have it at birth or you don't. Four new books about genius all interrogate this powerful myth. At the very least, they show that the soil in which genius grows matters at least as much as the seed, which is why particular cultures produce particular types of genius at particular times in history. This is the implicit message of Peter Watson’s The German Genius and Robert Uhlig’s Genius of Britain, which look at collective as well as individual brilliance. In Sudden Genius? Andrew Robinson goes further in undermining the myths of genius, suggesting that virtually none of the common-sense ideas we have about it stack up. And in The Genius in All of Us, David Shenk claims the idea that genius is dispensed at birth is still based on discredited genetics. ... All four authors converge, however, on two trends common to genius. The first, most apparent in Uhlig and Watson’s books, is that the minds of geniuses almost always first form themselves outside the confines of formal, standard education. The best education money can buy may be good for most but for true, original creativity, it is more of a hindrance than a help. Einstein was not the under-achiever of legend at school but his autodidactic pursuits were more important for his intellectual development and he only came into his own in private study. The second condition of genius is that it does not emerge without tremendous effort. Robinson describes this in terms of the “ten-year rule”, an idea which Malcolm Gladwell popularised in Outliers: The Story of Success. To achieve something truly outstanding requires about 10 years of regular and extensive work and practice. [10 December 2010 - Financial Times - More]

Monday, November 08, 2010

Ken Robinson and National Thought Leaders to Join “Shaping the Future of Creativity Today” Workshop at the Creativity World Forum

Following the launch of the National Creativity Network on Monday, November 15, more than 50 people from around the country will gather to work on the “Shaping the Future of Creativity Today.” This workshop runs from 2 to 5 p.m. and is part of the seventh annual Creativity World Forum 2010 to be held in Oklahoma City, November 15 to17.

Noted creativity expert Sir Ken Robinson will help officially launch the National Creativity Network from 9 to 11:30 a.m., and then will join the opening of the workshop at 2 p.m. Both events take place at the Skirvin Hilton Hotel in Oklahoma City.

Robinson is author of The Element and speaks globally about the importance of creativity and arts in education, work and society. He will join several other national thought leaders who will help in the first hour of the workshop to set context about creative alternatives that are already happening related creativity across society. This group includes:
  • Carrie Fitzsimmons – executive director of ArtScience Labs.
  • Jean Hendrickson – executive director of Oklahoma A+ Schools.
  • Dan Hunter – arts advocate and policy expert.
  • Mary Alice Long – play consultant and advocate.
  • Scott Noppe-Brandon – executive director of the Lincoln Center Institute and co-author of Imagination First.
  • Scott Rich – assessment specialist at Scholastic Testing Service.
Steven Dahlberg, director of the International Centre for Creativity and Imagination, and Cheryl Whitesitt, executive director of the Minnesota Future Problem Solving Program, will facilitate the workshop, which focuses on:
  • Exploring the state of creativity today.
  • Engaging creative alternatives about the future of creativity.
  • Directly involving participants in creative processes and tools that help move beyond merely advocating the value of creativity to igniting action for change about creativity's role in society.
The workshop is open to all, and seeks diverse participants -- representing education, business, arts, government, nonprofits and beyond -- who all share an interest in applying more personal, organizational and community creativity. The workshop fee is $45 and people may participate whether or not they are attending the Creativity World Forum. More workshop information is available at www.appliedimagination.org/cwf.

More information about the Creativity World Forum is available at http://www.stateofcreativity.com/ and about the National Creativity Network at http://www.nationalcreativitynetwork.org/. [8 November 2010 - National Creativity Network - For more information, contact Kathy Oden-Hall, Creativity World Forum, (405) 203-5742 or kodenhall@stateofcreativity.com]

Saturday, November 06, 2010

Dan Pink on Creativity, Motivation, Work, Education and Play

Drive: The Surprising Truth About What Motivates UsThe Adventures of Johnny Bunko: The Last Career Guide You'll Ever NeedA Whole New Mind: Why Right-Brainers Will Rule the FutureListen to "Creativity in Play" interview with creativity guru and author Dan Pink. Highlights from Dan Pink's interview about creativity, motivation, education, play and policy:
  • What drives Dan? To find out about stuff and to follow his own curiosity.
  • How do you motivate people to do creative work?
  • If you want to do simple things, if/then motivators work.
  • Interesting creative things outside of the U.S.: Role of workplace design in Australia ... how physical architecture can enhance creativity.
  • Knowing "why" you are doing things is more motivating.
  • Humor is an incredibly important management tool.
  • Humor can diffuse difficult situations.
  • Humor can be part of bonding.
  • On play ... doing things because they are challenging and provide flow experiences. These are crucial for intrinsic motivation.
  • Google's "20% rule" to work on what you want is like recess at work.
  • The difference between making decisions for instrumental reasons rather then fundamental reasons.
  • Policy changes to support creativity? Changes in education, increasing public support for the arts, and public support for research and development.

Wednesday, May 26, 2010

Ken Robinson ... TED Part II

Ken Robinson returned to TED earlier this year and talked about the intersection of talents, passion and education.
[May 2010 - TED] In this poignant, funny follow-up to his fabled 2006 talk, Sir Ken Robinson makes the case for a radical shift from standardized schools to personalized learning -- creating conditions where kids' natural talents can flourish. More


As he did in his first TED talk about creativity and education, he sums up in less than 18 minutes key ideas that seem so obvious, yet are so far from the practices we employ in schools and society. Some of Ken's insights from his 2010 talk:
  • There is a crisis of human resources -- we make poor use of our talents.
  • Many people simply endure what they do rather than enjoy what they do.
  • But some people do what they ARE and engage part of their authentic selves.
  • Education dislocates people from their natural talents.
  • We have to create the circumstances where talents show themselves. Education should be where this happens, but too often it's not.
  • Education REFORM is not enough -- reform is only improving a broken model.
  • We need not an evolution in education, but a revolution ... to transform it into something else.
  • It needs innovation, which is hard because it challenges what we take for granted.
  • Quoting Abraham Lincoln, Ken talked about "rising with the occasion" and the idea of "disenthralling ourselves."
  • Life is organic ... not linear.
  • We are obsessed with getting people to college. College does not begin in kindergarten. Kindergarten begins in kindergarten.
  • Problem of conformity in education -- like fast food where everything is standardized.
  • Human talent is tremendously diverse.
  • Passion -- what excites our spirit and energy -- is important.
  • Education doesn't feed a lot of people's spirits.
  • Education, which is primarily based on a manufacturing model, should shift to one based on principles from agriculture.
  • Human flourishing is an organic process. We cannot predict the outcome of human development. All you can do is create the conditions under which they begin to flourish.
  • Customizing and personalizing education is the answer to the future.
And he finished with a poem excerpt from W. B. Yeats about how we spread our dreams before others' feet -- like kids do everyday -- and askied us to "tread softly, because you tread on my dreams."

If you care about the future of children and education and society, show Ken's two TED talks (and this one, too!) to your friends and colleagues and family and talk about how you can begin to act to make positive change in the ways we educate and work. Show these clips in a public meeting at your children's school. Show them in your workplace with your colleagues. Show them at the public library. You'll be amazed who cares about these topics, who shows up and what you might accomplish together. Imagine what if ...

Monday, May 24, 2010

REMINDER - Connecticut Imagination Conversation Tonight in Hartford

* Join panelists for a CONNECTICUT IMAGINATION CONVERSATION on Unleashing and Harnessing the Imagination in Learning and Work *
THE INTERNATIONAL CENTRE FOR CREATIVITY AND IMAGINATION AND THE STUDIO @ BILLINGS FORGE PRESENT IMAGINATION CONVERSATIONS: A PROJECT OF LINCOLN CENTER INSTITUTE
==========================
MONDAY, MAY 24, 2010, 7:00-9:00 P.M.
The Studio @ Billings Forge,
539-563 Broad Street
Hartford, Connecticut 06106
Free and open to the public.
RSVP: <http://www.eventbrite.com/event/665180573>
MORE INFO: conversation@appliedimagination.org or
<http://appliedimagination.org/conversation/>

Imagination Conversations bring together citizens from diverse fields -- including education, business, government, arts and nonprofits -- to explore the importance of imagination in life, work and society. Connecticut has a long tradition of creativity, invention and innovation, but the current economic downturn and increased worldwide competition mean that we cannot take our position for granted. Now more than ever, we must nurture imagination in our schools, create
environments for innovation in workplaces, and build cultures for creativity in our communities. Bring your "imagination story" to the second Connecticut Imagination Conversation on May 24. This conversation is part of a national dialogue -- 50 conversations in 50 states -- sponsored by the Lincoln Center Institute to celebrate the 50th anniversary of the Lincoln Center for the Performing Arts. Join moderators Steven Dahlberg, Director, International Centre for Creativity and Imagination, and Janice La Motta, Program Coordinator, The Studio @ Billings Forge, plus invited guests and citizens from across Connecticut who care about the role of imagination and creativity in society. Guests include Sue Sturtevant, Executive Director and CEO of the Hill-Stead Museum, and Marie O'Brien, President of the Connecticut Development Authority.

ABOUT THE IMAGINATION CONVERSATIONS NATIONALLY:
Imagination, the ability to visualize new possibilities, is a prerequisite for success in the 21st-century global economy. The Imagination Conversations prepare us for the future that requires imagination by:

  • Building national awareness of imagination as a vital tool in work and in life.
  • Sparking dialogue about imagination across the professional spectrum.
  • Leading to the creation of an action plan to make imagination an integral part of American education.

The Imagination Conversations, a project of Lincoln Center Institute and a part of the Lincoln Center 50 Years celebration, run from the fall of 2009 to the spring of 2011. Many are hosted by state government, business, and cultural leaders. They feature diverse groups of panelists with distinctive perspectives and draw a wide range of audience members from the public and private sectors. Moderators facilitate the conversations, some of which reach viewers nationwide via live and archived streaming video. This two-year initiative will culminate in America's Imagination Summit, to be held at Lincoln Center in the summer or fall of 2011.

Tuesday, May 18, 2010

Imagination Conversation to be Held Monday in Hartford; Part of National Initiative

THE INTERNATIONAL CENTRE FOR CREATIVITY AND IMAGINATION AND THE STUDIO @ BILLINGS FORGE PRESENT IMAGINATION CONVERSATIONS: A PROJECT OF LINCOLN CENTER INSTITUTE
* Join panelists for a CONNECTICUT IMAGINATION CONVERSATION on Unleashing and Harnessing the Imagination in Learning and Work *
==========================
MONDAY, MAY 24, 2010, 7:00-9:00 P.M.
The Studio @ Billings Forge,
539-563 Broad Street
Hartford, Connecticut 06106
Free and open to the public.
RSVP: http://www.eventbrite.com/event/665180573
MORE INFO: conversation@appliedimagination.org or
http://appliedimagination.org/conversation/
==========================

Imagination Conversations bring together citizens from diverse fields --including education, business, government, arts and nonprofits -- to explore the importance of imagination in life, work and society. Connecticut has a long tradition of creativity, invention and innovation, but the current economic downturn and increased worldwide competition mean that we cannot take our position for granted. Now more than ever, we must nurture imagination in our schools, create
environments for innovation in workplaces, and build cultures for creativity in our communities. Bring your "imagination story" to the second Connecticut Imagination Conversation on May 24. This conversation is part of a national dialogue -- 50 conversations in 50 states -- sponsored by the Lincoln Center Institute to celebrate the 50th anniversary of the Lincoln Center for the Performing Arts. Join moderators Steven Dahlberg, Director, International Centre for Creativity and Imagination, and Janice La Motta, Program Coordinator, The Studio @ Billings Forge, plus invited guests and citizens from across Connecticut who care about the role of imagination and creativity in society.

ABOUT THE IMAGINATION CONVERSATIONS NATIONALLY:
Imagination, the ability to visualize new possibilities, is a prerequisite for success in the 21st-century global economy. The Imagination Conversations prepare us for the future that requires imagination by:

  • Building national awareness of imagination as a vital tool in work and in life.
  • Sparking dialogue about imagination across the professional spectrum.
  • Leading to the creation of an action plan to make imagination an integral part of American education.

The Imagination Conversations, a project of Lincoln Center Institute and a part of the Lincoln Center 50 Years celebration, run from the fall of 2009 to the spring of 2011. Many are hosted by state government, business, and cultural leaders. They feature diverse groups of panelists with distinctive perspectives and draw a wide range of audience members from the public and private sectors. Moderators facilitate the conversations, some of which reach viewers nationwide via live and archived streaming video. This two-year initiative will culminate in America's Imagination Summit, to be held at Lincoln Center in the summer or fall of 2011.

Tuesday, April 13, 2010

Imagination Conversation Set for Connecticut, April 19 in Hartford

CONNECTICUT TO EXPLORE CRITICAL ROLE OF IMAGINATION AS KEY TO FLOURISHING SOCIETY ... Connecticut Imagination Conversation is Part of 50-State Effort to Raise Awareness of Imagination: Why It Matters and How to Develop It in Our Lives and in Our Communities.

On April 19, 2010, the International Centre for Creativity and Imagination and the University of Connecticut, in affiliation with Lincoln Center Institute for the Arts in Education (LCI), will hold an Imagination Conversation at 7:00 p.m. at the University of Connecticut Greater Hartford Campus.

The Conversation will bring together leaders from an array of fields -- government, business, science, education, and the arts -- to explore the ways they experience and promote imagination in their work and communities. The goal of the Conversation is to present imagination as a key cognitive capacity, one that leads to creativity and innovation; and to help build awareness of imagination as a key skill in work and in life.

It is LCI's contention, as well as that of numerous scientists, government leaders, and educators, that imagination must be taught to children in our schools and nurtured in our communities. Applying imagination is crucial if Americans are to not only compete in the 21st-century marketplace, but create positive, flourishing communities that continually engage every citizen's creativity, imagination and ideas.

The Imagination Conversation will be in the auditorium of the Library Building at the University of Connecticut Greater Hartford Campus, 1800 Asylum Ave., West Hartford, Conn., 06117. The event begins with networking at 6 p.m. and the Imagination Conversation at 7 p.m. More details, along with parking and registration information, are available at:
http://www.appliedimagination.org

The Imagination Conversation is open to the public and will be recorded for broadcast on WNPR's Where We Live on Friday, April 23, at 9 a.m. WNPR's John Dankosky will moderate the Conversation with guests Steven Dahlberg and Scott Noppe-Brandon. Dahlberg is head of the New Milford, Conn.-based International Centre for Creativity and Imagination (ICCI) and teaches "Creativity + Social Change" at the University of Connecticut. Noppe-Brandon is executive director of Lincoln Center Institute and author of "Imagination First: Unlocking the Power of Possibility." Artists John O'Donnell and Ted Efremoff will visually map and document the Conversation while it happens. Students from the "Creativity + Social Change" class, invited participants from diverse sectors across the state, and the general public will also be involved in the Conversation.

This Conversation will focus on the role of imagination in education, creative community and economic development, and creative leadership in organizations. It seeks to build a relevant imagination-fueled agenda for the state to pursue. ICCI will coordinate follow-up action that emerges from this conversation, as well as additional future conversations.

“Creativity and imagination matter in every aspect of society,” says Dahlberg. “Imagination matters for engaging students and teachers in meaningful education. It matters for bringing new ideas into reality to improve the economy. And it matters for helping people express their creative capacities in their work and their communities. We hope to help connect people who want to tap into more of their imagination and apply it for creating positive change across this state.”

Imagination Conversations are expected to take place during the next two years in each of the 50 states. All of the Conversations will be documented and final proposals for nationwide educational reform will be made at a national Imagination Summit in New York in the summer or fall of 2011. At the Summit, Imagination Conversation findings and an action agenda will be presented to public policy makers, educators, legislators and the media in an effort to make cultivation of imagination a key element in our schools.

"Imagination can be described as having the ability to visualize new possibilities and the ability to ask, 'what if ...?'" says Noppe-Brandon. "Developing students' imaginations and teaching them to proceed from imaginative thinking to creative action is vital if they are to meet the challenges of today's world. If the United States is to maintain its position at the vanguard of innovation, it needs a workforce capable of finding fresh solutions to challenges and inventing groundbreaking products and services. LCI understands that imaginative learning in schools will produce such a population."

ICCI is dedicated to applying creativity to improve the well-being of individuals, organizations and communities. It promotes imagination and creativity through public events such as the monthly Creativity Networking series; professional development training for educators and business people; advocacy for creativity topics in local, national and international conferences; dissemination of creativity ideas through writing and commentary in various media; and teaching and guest lecturing at various universities.

The University of Connecticut's Bachelor of General Studies Program encourages imagination, collaboration and democratic participation through its Public and Community Engagement-themed courses in Storrs and Hartford and online.

Having recognized the global importance of imagination early on, LCI has established itself as a leader in the implementation of a method by which imagination is introduced into classrooms and used across the curriculum. Through the hands-on study of works of art, students develop their capacities to think imaginatively and critically, which serve them in all subject areas. With its programs reaching an estimated 390,000 students per year through its partnerships with schools across the U.S. and abroad, LCI is making an impact on the direction of education not just in New York but all over the world.

ABOUT THE HOSTING ORGANIZATIONS:
About Steven Dahlberg and the International Centre for Creativity and Imagination:
Steven Dahlberg is director of the International Centre for Creativity and Imagination, which is dedicated to applying creativity to improve the well-being of individuals, organizations and communities. He teaches "Creativity + Social Change" in the Public and Community Engagement theme at the University of Connecticut. He has nearly 20 years of experience in this field, and has worked with Yale University, Guggenheim Museum, Yahoo!, Americans for the Arts, Danbury Public Schools, UNESCO, Louisiana's Office of the Lt. Governor, New Economics Foundation, Connecticut Commission on Culture and Tourism, World Knowledge Forum, City of Providence, 3M, Aldrich Museum, State of Connecticut, and Rhode Island College, among other organizations. He has helped toy inventors launch a creativity consulting business, directed an international creativity conference, and taught an undergraduate creativity course for incarcerated men. Dahlberg edits the Applied Imagination blog, authored the foreword to the book, Education is Everybody's Business. He is particularly interested in creative community building, creative education, local food and sustainable agriculture, and creative aging.

About Lincoln Center Institute (LCI):
LCI is the educational cornerstone of Lincoln Center for the Performing Arts, Inc., and is the model for arts education programs across the U.S. and abroad. Founded in 1975, the Institute is known for its inventive repertory, and brings music, dance, theater, visual arts, and architecture into classrooms in the New York City area, across the nation, and around the world. In more than three decades of outreach, LCI's approach has reached more than 20 million students, teachers, administrators, parents, community members and professors of education worldwide. The number is projected to increase in the next few years, thanks to LCI's highly successful professional development programs and Internet presence.

Friday, April 09, 2010

In What Ways Might Imagination Improve Society?

Check out the 206 ideas generated by my "Creativity + Social Change" students at the University of Connecticut -- and add your own ideas to ways in which creativity might improve society.

Also, plan now to participate in the Connecticut Imagination Conversation on Monday, April 19, in Hartford, Connecticut ... or host your own Imagination Conversation in your community.

Wednesday, March 17, 2010

Creativity in the Classroom Workshop at The Aldrich - Monday

CREATIVITY IN THE CLASSROOM
A creative education workshop for teachers, administrators, and parents ... with Facilitator Steven Dahlberg, Director, International Centre for Creativity and Imagination
==========================
MONDAY, MARCH 22, 2010, 4:00-6:30 P.M.
The Aldrich Contemporary Art Museum
258 Main Street, Ridgefield, CT 06877
$30 (members)/$35 (non-members)
.2 CEUs available
Register online:
http://www.aldrichart.org/events/?id=642
==========================

CREATIVITY IN THE CLASSROOM
Creativity includes -- and is more than -- the arts. Creative thinking is a twenty-first century skill that applies to all subjects, all grade levels, and all ages. It is a skill that prepares students and adults for a rapidly changing world, where complex problems do not have pre-defined, easy solutions. Creativity involves creative and critical thinking skills that can be taught, practiced, and applied in all curriculums. In this workshop, you will:

  • Explore what creativity is, who has it, and how to unleash more of it.
  • Think about thinking ... and learn how to think in new ways.
  • Learn and practice applied creative thinking skills.
  • Discover styles and types of creative thinking within the creative process.
  • Connect creativity to the classroom.

ABOUT THE FACILITATOR
Steven Dahlberg is head of the International Centre for Creativity and Imagination, which is dedicated to applying creativity to improve the well-being of individuals, organizations and communities. He works with the Public and Community Engagement program at the University of Connecticut, where he teaches the "Creativity + Social Change" course. More info at:
http://www.appliedimagination.org/

REGISTER NOW
For registration and further information please contact:
Suzanne Ryan
Museum Educator
The Aldrich Contemporary Art Museum
seryan @ aldrichart . org
203.438.4519

Tuesday, March 16, 2010

Ken Robinson ... Again on Creativity and Education

[15 March 2010 - The Bonnie Hunt Show] Sir Ken Robinson shares what isn't working with our teaching system in schools.









Monday, March 01, 2010

Danbury Students Collaborate With Artist for Aldrich Museum Installation


More than 320 students and staff at King Street Intermediate School in Danbury, Connecticut, recently fingerprinted themselves to begin a collaboratively produced art installation for The Aldrich Contemporary Art Museum in Ridgefield, Connecticut.

Artist Sandy Garnett is working with KSI students and their art teacher, Doreen Cherniske Colonna, to incorporate an individual fingerprint contribution from each student and staff member into a final piece. Garnett, who is based in Norwalk, Connecticut, has been producing fingerprint-based artwork himself for more than 20 years. Through his Fingerprint Project, he explores contemporary identity through sculpted and painted fingerprints, human silhouettes and signatures.

"The Fingerprint Project is one of the cornerstones of my professional fine art career," Garnett says. "I have collected thousands of fingerprints from which I have made hundreds of fine art objects during the past several decades. I have always been interested in a large group Fingerprint Portrait installation, so the project at King Street Intermediate School has been an exciting project for me."

Earlier this month, Garnett led several groups of 60 to 150 students in creating their own inked fingerprints on paper. Next, Colonna will enlarge each student's favorite print into an abstract image, which the students will then transfer onto small pieces of Plexiglas. Garnett will combine these more than 300 pieces into a single installation, which The Aldrich will exhibit in early April as part of its DrawOn! project.

The purpose of DrawOn! is "to bring people together through something as basic as drawing, while at the same time fostering new and imaginative ways to draw." The public is encouraged to participate in DrawOn! events scheduled throughout Connecticut and beyond, from March 27 to April 10, with a culminating family event on April 10. For more information, visit www.aldrichart.org/events.

"I love the collaborative aspect of this project," says Colonna. "Between the kids, the professional artist and the museum. I also love that EVERY student is included. It is a true 'fingerprint' of our school."

This is the second year in a row that Colonna has been invited to exhibit her KSI students' artwork as part of DrawOn! at The Aldrich. Last year, students not only created works on various shapes of cardboard -- thinking beyond the usual rectangle "box" they often draw on -- they also drew on two teachers who wore full-body white Tyvek suits.

"This project has been fun because I never did anything like this in my life," said one KSI student while working with Garnett earlier this month. A student last year said, "I liked DrawOn! the most because it made me think you can make art on anything."

Garnett is a self-taught, multidisciplinary artist who has sold more than $1.8 million of artwork. He also writes, illustrates, sings and records. His children's books have recently been published, and an independent film producer put Garnett's first written and recorded song, "Busted Wing," in a film about climate change.

"It is important to have visiting artists like Sandy," says Colonna. "The kids get to see someone who went through school and came out the other end still doing what they feel passionate about -- and making a living at it.

"It is also important for those kids who have tremendous talents in areas that are not always as highly valued in education nor reflected in standard test areas. These students see that their talents are not a waste, that they can use those talents, and that they should not give up or let anyone take those talents away from them."

DrawOn! is a community-based project of The Aldrich, which encourages everyone -- not just artists -- to engage in drawing. On anything. With anything. This practice is not so much about drawing a "perfect piece," or about the final product, but about the creative process itself. It is also about the community building that happens when people draw and create together. It is a fun and playful activity that can help people rediscover their creative talents.

The King Street Intermediate School Fingerprint Project for DrawOn! is also part of an on-going initiative to integrate more creativity into the classroom at KSI. The staff is working with Steven Dahlberg, head of the International Centre for Creativity and Imagination, to help teachers both teach for more creativity and teach more creatively.

"The Fingerprint Project is great example of how creativity engages both students and staff in meaningful work," says Dahlberg. "Students were invited to create something unique and original and will have the rare opportunity to see their creative expressions displayed publicly in a major art institution. This is inspiring, not only to the students, but to their teachers and parents and the community, as well."

The public can hear more about this project and DrawOn! and meet Garnett, Colonna and Dahlberg at Creativity Networking at The Silo at Hunt Hill Farm in New Milford, Connecticut, from 2 to 3:30 p.m., Sunday, March 14. Find out more at http://www.appliedimagination.org/.

Monday, May 25, 2009

Getting scientific about arts education: Education, arts and neuroscience

[24 May 2009 - Los Angeles Times] A new interdisciplinary field researches the effects of learning fine arts on a student's brain. ... For years, school systems across the nation dropped classes in the fine arts to concentrate on getting students to pass tests in reading and mathematics. Now, a growing body of brain research suggests that teaching the arts may be good for students across all disciplines. Scientists are looking at, for instance, whether students at an arts high school who study music or drawing have brains that allow them to focus more intensely or do better in the classroom. Brain research in the last several years has uncovered startling ideas about how students learn. First came proof, some years ago, that our brains do not lose brain cells as we get older, but are always capable of growing. Now neuroscientists are investigating how training students in the arts may change the structure of their brains and the way they think. Does putting a violin in the hands of an elementary school student help the child do math better? Will learning to dance or paint improve a student's spatial ability or ability to learn to read? Research in those areas, Harvard University psychologist Jerome Kagan said, is "as deserving of a clinical trial as a drug for cancer that has not yet been shown to be effective." There aren't many conclusions yet that can be translated into the classroom, but an interdisciplinary field is emerging between education and neuroscience. More