Showing posts with label Innovation. Show all posts
Showing posts with label Innovation. Show all posts

Tuesday, March 27, 2012

2-Day Creativity Conference in April in Connecticut

An exciting, two-day conference -- "Advancing Creative Thinking: Imagination to Innovation" -- will take place in Ridgefield, Conn., on Friday, April 27, and Saturday, April 28, 2012. The conference is presented by The Aldrich Contemporary Art Museum, Ridgefield Library, and Ridgefield Arts Council, along with media sponsor, The Morris Media Group.

This cross-disciplinary conference will explore creativity and the creative process through the lenses of imagination and innovation -- which are at the heart of the creative process in every discipline, from the arts to education to business to government. While imagination opens up new possibilities, innovation seeks and identifies new opportunities for critical thinking and creative problem solving. A diverse range of keynote sessions, cross-disciplinary conversations, panel dialogues, and workshops will focus on the creative process and demonstrate that creative thinking is truly a necessary skill for the twenty-first century.

Friday’s opening keynote will feature New York Times tech columnist David Pogue on "Disruptive Creativity: How Bright Ideas Change Everything." The conference will close on Saturday evening with Nicholas Donofrio, fellow emeritus at IBM, on "Innovation for the 21st Century. "

During the day on Saturday, participants will have many programs to choose from ...

Creative Conversations include:
  • "Stories of Innovation Success" with Matt Greeley, CEO of BrightIdea, and others.
  • "Creative Models for Towns and Cities" with Linda Lees, founder and director of Creative Cities, and others.
  • "Artistry Unleashed" with Hilary Austin from the Rotman School of Business at the University of Toronto.
Participatory Workshops will encourage attendees to put the creative process into practice:
  • "Altered Books" with artist and illustrator Katie Stephenson.
  • "Drawing: Gray Matters!" with Claire Watson Garcia from the Silvermine School of Art.
  • "Sparking Idea Engines: How to Inspire Creative Breakthroughs" with Brian Mattimore, founder and principal of The Growth Engine.
  • And more!
The speakers are drawn from the arts, education, business, technology and government sectors, including affiliations with the New York Times, Bill and Melinda Gates Foundation, Jump Associates, BrightIdea, IBM, dosomething.org, International Centre for Creativity and Imagination, Alliance for Childhood, Creative Cities International, University of Toronto, University of Connecticut, and others. Presenters are coming from locations including Ireland, Toronto, Washington DC, Philadelphia, Boston, New York City, and San Francisco.
 
CONFERENCE REGISTRATION:
  • $125 - full-conference ticket for Friday afternoon to Saturday evening.
  • $95 - All-day Saturday programs only, including the evening reception and keynote.
  • $35 - Friday-evening keynote and reception only.
  • $35 - Saturday-evening reception and keynote only.
  • $25 - A special, pre-conference program for educators (including the following reception at The Aldrich) -- featuring Irvin Scott from the Bill and Melinda Gates Foundation.
Programs will take place at The Aldrich Contemporary Art Museum and at the Ridgefield Library. Check out the full listing of events and purchase tickets; or call 203-438-2282 for more information.

Monday, March 28, 2011

Listen to John Seely Brown on Cultivating the Imagination, Learning and Innovation - Creativity in Play - 3/29 at 3EDT

Our guest on Creativity in Play will John Seely Brown, co-author of A New Culture of Learning: Cultivating the Imagination for a World of Constant Change. We'll explore the role of creativity and imagination in change, learning, work and innovation, as well as the importance of play. John is a visiting scholar at the University of Southern California and the independent co-chairman of the Deloitte Center for the Edge. He is the author of The Power of Pull and The Social Life of Information. Previously, John was the chief scientist of Xerox and director of Xerox's Palo Alto Research Center (PARC).

A New Culture of Learning: Cultivating the Imagination for a World of Constant ChangeThe Power of Pull: How Small Moves, Smartly Made, Can Set Big Things in MotionThe Social Life of Information

Tuesday, January 04, 2011

11 of the Best Innovation 2010 Essays - Fast Company

Here at Co.Design, we pride ourselves on being a house of many mansions. To that end, we’ve spent the past several months sharing the perspectives of some of the finest experts working in design, from Bruce Nussbaum on the dangers of design imperialism to Gadi Amit on what’s wrong with American design schools (hint: everything). We might not agree with all the opinions, but we’re totally convinced that the dialogue about design is richer because of them. What follows is a collection of the most popular -- and occasionally controversial -- columns of 2010. [4 January 2011 - Fast Company's Co.Design - More]

Tuesday, November 30, 2010

Why Google’s "20 Percent Time" Isn't Stemming Its Brain Drain

The time and space Google gives engineers to work on their own projects used to be the key to luring in PhDs and other brilliant minds. The recent talent exodus suggests it's no longer enough. ... All of which begs the question: Can a company get so large that innovative incentives, like 20 percent time, simply aren’t enough to hold on to the kinds of pioneering, entrepreneurial employees who are the key to helping companies remain on the cutting edge? [29 November 2010 - Fast Company - More]

Saturday, November 06, 2010

Dan Pink on Creativity, Motivation, Work, Education and Play

Drive: The Surprising Truth About What Motivates UsThe Adventures of Johnny Bunko: The Last Career Guide You'll Ever NeedA Whole New Mind: Why Right-Brainers Will Rule the FutureListen to "Creativity in Play" interview with creativity guru and author Dan Pink. Highlights from Dan Pink's interview about creativity, motivation, education, play and policy:
  • What drives Dan? To find out about stuff and to follow his own curiosity.
  • How do you motivate people to do creative work?
  • If you want to do simple things, if/then motivators work.
  • Interesting creative things outside of the U.S.: Role of workplace design in Australia ... how physical architecture can enhance creativity.
  • Knowing "why" you are doing things is more motivating.
  • Humor is an incredibly important management tool.
  • Humor can diffuse difficult situations.
  • Humor can be part of bonding.
  • On play ... doing things because they are challenging and provide flow experiences. These are crucial for intrinsic motivation.
  • Google's "20% rule" to work on what you want is like recess at work.
  • The difference between making decisions for instrumental reasons rather then fundamental reasons.
  • Policy changes to support creativity? Changes in education, increasing public support for the arts, and public support for research and development.

Monday, September 13, 2010

Creativity, Culture and Innovation: finding new links

The very dynamic culture sector, the cultural and creative industries in particular, generates and stimulates considerable potential for creativity which makes it an important actor for meeting the challenges with which the European Union is confronted today. Within the context of the implementation of the “EU 2020” strategy, the goal is to highlight and promote the considerable potential of the cultural and creative industries. The colloquium (8 September 2010 to 9 September 2010) will focus on the innovative aspect of the sector. Cultural and creative industries are gradually being recognised as essential contributors to innovation. The goal is to now create an environment in which these industries can develop their potential to its fullest. It will be a matter of, on one hand, demonstrating that innovation plays a significant part in the development of the cultural sector and that, inversely, culture is a major asset for innovation. In addition, and based on this observation, the goal will be to provide potential ways to develop the cultural and creative industries. Special attention will be paid to the self-employed, micro-enterprises and to small and medium enterprises which guarantee cultural diversity and play a determinant role in the development of the cultural and creative sectors. [September 2010 - The Belgian Presidency of the Council of the European Union - More - Program]

Wednesday, February 24, 2010

Connecting Creative Communities - Register Now for March Summit in Providence


Sign up now for the Connecting Creative Communities coming up in Providence, Rhode Island, March 9-11, 2010. The Summit is hosted by the New England Foundation on the Arts and the City of Providence's Department of Art, Culture + Tourism. I am pleased that the Summit is co-presented by the International Centre for Creativity and Imagination, and that I am co-chairing a session on "Building Your Capacity: Creative Leadership in the Creative Sector."

-- Steven Dahlberg, Director, International Centre for Creativity and Imagination

CONNECTING CREATIVE COMMUNITIES
Summit participants represent a broad slice of New Englanders, including government officials, arts administrators, artists, business and civic leaders, creative entrepreneurs, funders, researchers, and others.

HIGHLIGHTS
(View the full program schedule)
  • Cities, Bicycles and the Future of Getting Around
    Join Providence Mayor David N. Cicilline for the City of Providence's second annual Senator Claiborne Pell Lecture on Arts and Humanities about how bicycling can transform urban experience.

  • Beyond Our Borders: Planning, Policy, and Prosperity in New England
    "Shovel-ready" projects made possible by having a creative economic development plans in place.

  • Artist-Driven Solutions for Community Change
    Artist-led initiatives stimulating creative responses to complex social and economic issues.

  • Facing Facts: Getting Results with Data
    The sometimes surprising political and financial consequences of data collection.

  • Building Your Capacity: Creative Leadership in the Creative Sector
    Day-to-day needs, cross-sector relationships, workforce development, regionalism, and the creativity at the heart of it all.
  • What's next? Drafting a Regional Agenda
    Key themes and actionable items for a New England-wide regional agenda for the creative sector.
REGISTER NOW!

Connecting Creative Communities is co-presented by:
City of Providence Department of Art, Culture + Tourism, David N. Cicilline, Mayor and the New England Foundation for the Arts in partnership with: Americans for the Arts Animating Democracy, Arts Alliance of Northern New Hampshire, Connecticut Commission on Culture & Tourism, COOL/Cultural Affairs & Special Events, City of Lowell, International Centre for Creativity and Imagination, The MacDowell Colony, Massachusetts Cultural Council, Massachusetts Office of Business Development, Worcester Cultural Coalition.
Co-sponsored by:
Brown University's John Nicholas Brown Center for Public Humanities and Cultural Heritage and the Providence Phoenix.

EVENT INFO:
CONTACT INFO:
Adrienne Petrillo
Program Manager, Presenting & Touring
apetrillo@nefa.org
617.951.0010 x527

"Cities, Bicycles and the Future of Getting Around" is Focus of Pell Lecture in Providence

[24 February 2010 - The City of Providence] Mayor David N. Cicilline will host the second annual Senator Claiborne Pell Lecture on Arts and Humanities on Tuesday, March 9 at 7pm at Trinity Repertory Company. Mayor Cicilline established the annual symposium in honor of the late Senator for his extraordinary work championing education, the arts and humanities.

>> MAYOR CICILLINE ANNOUNCES 2ND ANNUAL SENATOR CLAIBORNE PELL LECTURE: Lecture honoring the late Senator to focus on "Cities, Bicycles and the Future of Getting Around" <<

The symposium, Cities, Bicycles and the Future of Getting Around, will explore how bicycling can transform the urban experience by raising the following questions for discussion: How do creative thinkers strengthen civic life? How can a city foster a more bicycle-friendly environment? How might Providence change if more people made a bicycle their primary mode of transportation? Pell Lecture 2010 Panel:
  • David Byrne has been writing and performing music and directing video and film for more than 30 years. He was lead singer and guitar player for the innovative rock band Talking Heads, who were inducted into the Rock and Roll Hall of Fame in 2002. What might not be as well known is Byrne’s longtime passion for biking and advocacy for bicycles in cities. Byrne has traveled New York City’s streets on a bike since the early 1980s, and often brings a folding bike on tour. His latest book explores this topic; Bicycle Diaries is an account of his urban bicycle odyssey through the streets of Istanbul, Buenos Aires, London, Berlin, Paris, Belgrade, Sydney, Manila, New York and San Francisco. Bicycle Diaries features beautiful photography, personal anecdotes from Byrne's wide travels and a strong argument for the way a bicycle can change our view of the world and the city in which we live.
  • Samuel Zipp is an urban historian who studies the cultural and intellectual history of 20th century cities. He teaches American Studies and Urban Studies at Brown University. He earned his Ph.D. in American Studies from Yale University. His book, Manhattan Projects: The Rise and Fall of Urban Renewal in Cold War New York, will be published by Oxford University Press this spring. Zipp’s interest in cities really took hold through a job as a bike messenger. He says traveling along the San Francisco streets by bike gave him a real appreciation for urban geography and the need to learn a city's social, political, and economic structure from the inside out. Zipp’s presentation will explore the place of bicycles in the history of city development and urban renewal.
  • Thomas Deller is a civic leader with first-hand experience creating infrastructure needed for bicycles in Providence. During his tenure as Director of Planning and Development for the City of Providence Deller has overseen the implementation of the Providence Bicycle Network and Providence Tomorrow, the city’s comprehensive plan, which contains many progressive policies regarding biking. As part of changes related to the I-195 highway move, Deller is working with local, state and federal partners to make way for bicycles in the Jewelry District. Deller’s experience in Planning and Urban Development dates back to 1979, when he began his career as a Planner in the East Providence Planning Department. He holds a Masters Degree in Community Planning and a Bachelor’s Degree in Urban Studies from the University of Rhode Island.
The Senator Claiborne Pell Lecture on Arts and Humanities is a free but ticketed event. Tickets will be available beginning Thursday, February 25th at the Trinity Repertory Company box office, 201 Washington Street, and must be picked up in person (no phone reservations). Four ticket limit per person. Due to limited availability we suggest advance pick-up. For box office hours and directions, call 401-351-4242. For more information on the lecture, contact (401) 421-2489 x456 or visit www.creativeprov.org.

About the Pell Lecture
Initiated by Mayor Cicilline in 2009, the annual lecture honors the late Claiborne Pell (1918-2009), who represented Rhode Island in the United States Senate from 1961-1997. Senator Pell is best remembered for being a champion of education, the arts and the humanities. He was the main sponsor of the Pell Grant, a financial aid program for U.S. college students, and he played a major role in the establishment of the National Endowment for the Arts and the National Endowment of the Humanities.

Monday, May 04, 2009

Building an Innovation Zone

[4 May 2009 - 1TO1 VIDEO] Thomas Koulopoulos, author of "The Innovation Zone: How Great Companies Reinnovate for Amazing Success," talks about the systemic changes companies have to make to innovate and survive during economic uncertainty. More

Friday, March 13, 2009

Help Support Strong Arts in Connecticut -- a Budget Issue

Please read the following letter written by artist Mark Patnode to Connceticut Gov. Rell. And then consider sending your own letters to the governor and your Connecticut legislators.

Steve Dahlberg
International Centre for Creativity and Imagination
Willimantic, Connecticut
http://www.appliedimagination.org

================

Governor M. Jodi Rell March 8, 2009
Executive Office of the Governor
State Capitol
210 Capitol Avenue
Hartford, Connecticut 06106

Dear Governor Rell,

As the focus of much of government turns to the financial sector and the word "crisis" is foremost in the media's dialogue, it is important to remember the fundamental contribution The Arts make in our culture and to our cultural stability. Yet, in Connecticut the artistic endeavor is
being undermined.

For example, the proposed incorporation of the Commission on Culture and Tourism (CCT) into the Department of Economic and Community Development (DECD) is not a hallmark of efficiency; but rather it is a damaging consolidation. Keep in mind, of the 50 state arts agencies; CCT is the only state arts agency to not define itself as arts-centric. No other state is making arts as inaccessible, or proposing such consolidations. Should Connecticut have the dubious distinction of taking a lead role in arts exposure reduction?

Often the arts are considered frivolous and non-essential to education. I would contend that society is measured by its art, architecture and literature. Furthermore, science and art are not mutually exclusive. You may be aware that the Mars space rover unfolded from its transport ship because the NASA engineers were familiar with origami, the Japanese art of paper folding. This is a wonderful example of the confluence of art and science. Children learn in different ways and the language of art makes that learning more accessible.

As The Constitution State, Connecticut has a distinction of leadership. As Governor, your exemplary contributions can help ensure Connecticut arts programs continue to lead. Respectfully, I suggest the following:

1. Assure the arts division will maintain staffing and funding to carry out their work.
2. Ensure the right staff are in place and available to meet the challenges.
3. Creation of a Volunteer Arts Advocacy organization, similar to Volunteer Lawyers for the Arts, to maintain Connecticut Arts posture and integration.
4. Convene a forum to assess the status and needs of CCT arts programs.

Through CCT, I have been featured on the cover of the CCT Teaching Artist Directory (left), my work is displayed in Senator Lieberman's Washington, DC office as part of CCT's Art in Public Spaces program, and Senator Lieberman selected me as Connecticut's 2008 White House
Christmas Ornament Artist. I mention this, not out of self-interest or self-promotion, but to establish credibility.

Sincerely,

Mark Patnode

Thursday, July 31, 2008

Social Entrepreneurship to Be Highlighted at the National Urban League Annual Conference in Orlando, Florida

[30 July 2008 - National Urban League] On Thursday, July 31, 2008, the Economic Opportunity Institute (EOI) will host the finals of the Social Venture Plan Competition at the 2008 National Urban League Annual Conference in Orlando, Florida. The competition, sponsored by The Prudential Foundation and FedEx Corporation, identifies and showcases
successful and replicable social ventures operated by Urban League affiliates, and serves as a model for innovative and sustainable public/private collaboration.

Teams from Cincinnati, Hartford, Jacksonville, Lorain County, New York, Philadelphia and Tucson will compete in the finals for over $100,000 in start up cash and consulting services to launch their social entrepreneurial and non-profit initiatives. The winners will be announced at the Whitney M. Young Gala on August 2, 2008.

The competition is sponsored by Prudential Foundation and FedEx and all of the finalists will receive feedback on their social venture plans from accomplished judges, Alfred Edmond (Editor-in-Chief, Black Enterprise.com), Julius Walls Jr. (CEO, Greyston Bakery), and Linda
Roach (Partner, Oakcrest Capital Partners).

In the face of declining support for endowments and the highly competitive nature of grant funding, nonprofits are increasingly integrating entrepreneurial strategies as a way to tackle social problems. They seek to earn capital in order to sustain their missions and, for many, build their capacity to consistently deliver services to the underserved. President and C.E.O. of the National Urban League, Marc H. Morial explains, "I envision an entrepreneurial Urban League movement that enjoys economic sustainability while empowering communities and changing lives. Social entrepreneurship is the new community service grant. FedEx and the Prudential Foundation are supporting the creativity and drive of our affiliates to provide the services that our communities demand."

The EOI Social Venture Plan Competition is simultaneously a practicum in competing for investment funds and also a vehicle to provide funding and in-kind services to those that demonstrate the greatest potential for success. This last round of the competition is open to the public and is a great opportunity for residents of the Orlando area to learn about opportunities in social entrepreneurship, and network with social entrepreneurs/Nonprofit leaders.

Established in 2003, the National Urban League's Economic Opportunity Institute (EOI) empowers communities and changes lives by promoting social entrepreneurship as a strategy to achieve sustainable social change.

National Communiversity Conference Draws 14 Communities From Connecticut to California

[29 July 2008 - Applied Imagination - By Steven Dahlberg - Windham, Connecticut, USA] Four Windham-area residents participated this past weekend in the first "COMV08: Communiversity Conference" in New Gloucester, Maine. Miriam and Mike Kurland, Abigail Ricklin and Steven Dahlberg joined 35 other people from 14 communities -- from California to Maine -- to explore how communiversities can invent a new community context in which people anticipate and transform challenges into opportunities for creative action.

The Windham delegation told the participants about Willimantic's efforts to build creative community. Their examples ranged from the Third Thursday Street Fest, the Boom Box Parade and Willimantic's historic Main Street to the Victorian Home Tour, the new Imagine Willimantic Communiversity group, and the new Creative Community Building Program being launched this fall at the University of Connecticut with community-based partners in Willimantic.

"This was an extraordinary gathering of people who spent three days focusing on positive aspects of what's working best in their communities," said Dahlberg, who heads the International Centre for Creativity and Imagination in Willimantic. "There was no whining or negativity -- just a group of people who want to share their communities' stories, figure out how to engage people in their communities, and help their communities learn and grow together."

The Imagine Willimantic Communiversity grew out of a visit to Willimantic in April from the Communiversity Conference organizer August Jaccaci. While in town, Jaccaci met with First Selectwoman Jean de Smet, people from community organizations, and citizens. He also led a public Creativity Networking event at the WindhamARTS Collaborative, at which he shared with the audience his concept of "Communiversity" and invited Willimantic to join a network of other cities and towns who are working to build a movement of communiversities.

Communiversities, according to Jaccaci, are about discovering new and world-changing ways to meet real needs in real places in real time -- with hope. Communiversities weave together ideas about community learning, creative communities and change.

"Communiversities are the sequel to the modern university," said Jaccaci. "We need to profoundly reinvent all aspects of society or we are history. This includes reinventing human learning so that it's continuous and includes all members of the family of life."

To deal with the accelerating nature of community change and transformation, Jaccaci told participants, "you have to go ahead of history, create it, and pull it toward you," rather than merely reacting to what happens.

Lawyer-turned-poet Anthony Burnini, who opened the second day with poetry, invited the participants to work in their communities to "unbury the talents that have been put in the ground" so that people might discover that they have something to contribute to their communities.

Participants spent the first day and a half sharing their communities' stories, which offer several possibilities for Willimantic:

  • Gainesville, Ga. -- Gus Whalen shared how the Featherbone Communiversity emerged out of a reinvention of the Warren Featherbone Company. They transformed the company's old manufacturing space into a community learning center that includes a school of nursing, a children's museum, a business incubator, and a creativity center.
  • Deer Isle, Maine -- Dom Parisi shared a vision for helping people take back control of energy costs. He has a 12-step plan for involving whole communities in making better energy choices everyday. He has particularly focused on what his community’s schools are doing about energy use and conservation, and wants to use communiversities to make that project replicable in other communities.
  • Hope, Maine -- As towns consider how to brand and position themselves to the outside world, members of Hope have adopted "Hope is Hip" as theirs. As part of their Communiversity, they invited citizens to a meeting to talk about business or community issues. Forty-five people showed up. "This showed that people want to be connected and talk to each other," said Larrain Slaymaker. This group continues to meet each month at a different business where that organization can showcase itself and its products to the community.
  • New London, Conn. -- Art Costa talked about how the Re-New London Council is seeking to focus on strengths and assets to build communities from the inside out and to improve their quality of life. They are exploring how to use land-value tax (versus land-use tax) as a tool for building sustainable economies in new ways in cities. Through their Farm-to-City initiative, they are seeking to feed their community with more local food. They also have a buy-local-first campaign for supporting locally owned and operated businesses.
  • Portland, Maine -- Christina Bechstein, an artist and professor at the Maine College of Art, shared examples of how she uses the college's service learning program and arts-based projects to engage students and faculty with a community partner in a community project. She described this as "co-learning with the outside community" and talked about ways to make community challenges, such as hunger, visual and visible.
  • Berkeley, Calif. -- Rand Christiansen is focusing both his doctoral studies and his Communiversity work on the concept of a "cosmology of love" in which he explores how love can help us address those things that keep us separate and how to create opportunities for people to excel in their potential. "Love is the wisdom of well-being," he said.

In the closing session, Jaccaci suggested that communiversities can help create the planet's next renaissance and wondered aloud: "What are the design specifications for this?" He recalled Margaret Mead’s encouragement to him of working to answer the question: How do you create models that are organic and natural as opposed to arbitrary and manmade?

The answer, Jaccaci said, is in intention -- whether one organizes around resonance and reverence or manipulation and control of others. Nature, he said, offers the best models to help people organize and design communities that function as creatively and efficiently as nature does.

Christiansen said that focusing on nature emphasizes a model of something that lives and breathes life, which is what people desire of their community. He suggested the sequoia tree as a model, with its broad reach and its roots that spread out and intertwine and support the grove.

“Nature is fundamentally symbiotic, full of mutually benefiting relationships,” Jaccaci said. “How might communiversities be this?”

The Imagine Willimantic Communiversity will meet to share more about the COMV08 experience on Tuesday, August 5, at 5:30 p.m. at Wrench in the Works, 861 Main Street, Willimantic. Anyone interested in finding out more or getting involved with this project is welcome to attend. In addition, Imagine Willimantic Communiversity Member Phoebe Godfrey will talk about this project at the Windham Board of Selectman meeting at 7:00 p.m. on August 5.

Creating Communiversities:
Partners in Whole Community Learning
By August Jaccaci

A Communiversity
Is a learning conversation
Within a whole family of life
In a place they hold in common
Dear to them all.
This conversation
Is a sharing of mutual needs
In a place of mutual dwelling
In a process of mutual learning
In a vessel of mutual hope.
This continuous conversation
Is the voice of the soul of life
Expressing the sanctity of all life
For the future of all life
In the home of all life.

Thursday, April 03, 2008

How To Unlock Your Company's Creativity

[2 April 2008 - Forbes] Innovation is one of those sexy-squishy words that big companies throw around in splashy ad campaigns and white papers. Innovation implies new stuff; new stuff implies growth; and growth implies higher stock prices and beach houses in the Hamptons. ... But innovation isn't just the province of the big. Just because small companies don't command multimillion-dollar research and development budgets doesn't mean they don't have to innovate. On the contrary, they have to be even more creative, in every aspect of their business, to compete. It's not easy. More

European Commission proposes 2009 to become European Year of Creativity and Innovation

[2 April 2008 - European Commission] Europe needs to boost its capacity for creativity and innovation for both social and economic reasons. That is why the Commission has today adopted a proposal to declare 2009 the European Year of Creativity and Innovation. The decision will be taken later this year by the Council and the European Parliament. More

Changing Skyline: Presidential candidates ignoring urban issues

[3 April 2008 - Philadelphia Inquirer] There are three times as many urbanites in America as country folk, yet you wouldn't know it listening to the three main presidential candidates, or perusing their Web sites. Instead, you might come away thinking the United States is a collection of Norman Rockwell small towns surrounded by picture-book farms. ... If there were ever a moment to roll out a bold vision for making cities healthier and more competitive, this is it. In the next few years, we're likely to hear a lot more about weaning ourselves off imported energy, dealing with greenhouse gases, and retaining economic parity with fast-rising Asian nations. Coming to grips with that triple threat means buffing up our energy-efficient creativity incubators, otherwise known as cities. So, though the candidates' proposals for ridding America of incandescent bulbs and gas-guzzling vehicles are nice little ideas, the fast lane to energy independence requires significant federal infusions for mass transit, basic infrastructure, and making cities more livable for families. Consider the money an investment in national security. More

Thursday, March 27, 2008

Louisiana Gets Creative Economies

[25 March 2008 - From New York - Applied Imagination - By Steven Dahlberg] Louisiana Lt. Governor Mitch Landrieu came to New York this week to share Louisiana's efforts to put culture and creativity at the heart of economic and community development. He was joined at Jazz at Lincoln Center by his colleagues from the Louisiana Office of Cultural Development and the Cultural Economy Foundation, along with New Orleans native and Emmy Award-winning actress Patricia Clarkson and New Orleans native and pianist Jonathan Batiste.

Landrieu described the Louisiana Cultural Economy Initiative and announced one of its key components -- the World Cultural Economic Forum (WCEF) to be held in New Orleans from October 29 to 31, 2008. This event will bring together policy-makers, artists, practitioners, cultural workers, educators, economic development leaders, business people and others from around the world. The International Centre for Creativity and Imagination is pleased to be assisting the Louisiana Office of Cultural Development with this event.

One of the challenges of linking culture and economy, Landrieu said, is how people can do what they love and make a living at it -- in the community in which they live. That is, how do you keep the creative talent in your community -- and the economic impact they produce -- rather than exporting it to other communities.

Landrieu raised some important questions that Louisiana is exploring on an on-going basis and that will be explored at the WCEF:
  • How do we grow culture from the ground up to capture the inherent authenticity and richness of a community?
  • How do we engage the creative endeavors of both the 'front-of-house" artists and the "back-of-house" staff?
  • How do we add value to intellectual capital?
  • How do we capture the creative things that are native to a community and share them with the world?
  • What is the relationship between poverty and culture?
  • How can culture re-create neighborhoods and make them safe? ("This is the ultimate goal of sharing New Orleans' and Louisiana's cultural economic success," he said.)
  • Is democracy more important than culture? Can you have both? Is the best way to spread democracy by spreading culture?
Landrieu is asking pretty big and important questions. Let's hope these questions rise to a national discussion in the coming election cycle.

It's important to teach creativity and arts if you are going to grow a community's economy through culture, Landrieu said. This is one reason that Louisiana has mandated arts education for all students from kindergarten through 12th grade. "Art and culture have a residual effect on all," he said.

Louisiana wants to be the focal point for a global discussion about culture, which is why New Orleans is hosting the WCEF. The intersecting issues of culture, race and poverty are not unique to New Orleans, but issues facing communities all over the world. The WCEF seeks to provide a space where people can talk and design and then go back to their own communities and tap into the authenticity and richness of culture there.

In introducing actress Patricia Clarkson, Landrieu commented on the network of his Louisiana creative peers -- which include Clarkson, Wynton Marsalis (artistic director of Jazz at Lincoln Center) and Harry Connick, Jr. -- "when you work with creative people who believe that anything is possible, you find out that it is."

"We are the products of Louisiana," Clarkson responded. "My state made me the actress I am today -- what I was surrounded by. Sometimes I return home to get a charge, a jolt."

Watch for more information about the World Cultural Economic Forum coming soon.

[Pictured above are musician Jonathan Batiste, actress Patricia Clarkson and Lt. Governor Mitch Landrieu]

Monday, February 18, 2008

Creativity Networking Series Launches in Connecticut

WindhamARTS Collaborative Launches Monthly Creativity Networking Series ... Provides forum for exploring the many facets of creativity and for discovering other people interested in creativity

The WindhamARTS Collaborative, in partnership with the International Centre for Creativity and Imagination, will host a Creativity Networking series from 5:30 to 7:00 p.m. on the first Wednesday of each month from March to June. The series will be held at WindhamARTS, 866 Main Street, Willimantic, Conn.

Steven Dahlberg of the International Centre for Creativity and Imagination will lead the first session, "Creativity, What is It?" on Wednesday, March 5. Participants will explore what creativity is, who has it, and how one can tap into more of it.

This series is open to all. A $5 donation and RSVP (860-450-1794) is requested. Following the session, receive 10 percent off dinner across the street at Willimantic Brewing Co / Main Street Cafe (967 Main Street, Willimantic)!

"The creative force is present in all humans to some degree. Pressures to conform within education and society often silence creative expression for many students and citizens. The potential for its development remains, however," says author and educator Berenice Bleedorn. "The right of an individual to create new ideas and to expect a respectful, supportive climate for their expression is a human right too often ignored. The human right to think and be heard at higher, more complex and mutualistic levels is a necessary added freedom."

Creativity matters in all aspects of society. If you want to reconnect with your inherent creativity and explore new ways of expressing it, don't miss this series. It will cover topics about creativity in all forms (including, but not limited to, arts), creative thinking, creative communities, creativity and education, creativity in organizations, creative persons, the creative process, creative aging and more.

ABOUT THE SERIES:
The series includes opportunities to learn with others, to think in new ways, and to generate new ideas. The format of the monthly Creativity Networking sessions will be informal and will usually include about 30 minutes of a presentation or experiential workshop (from a different facilitator each month), 30 minutes of dialogue about the topic, and 30 minutes of networking with other participants. Come and be inspired to apply your imagination and invent new possibilities for yourself and your community.

In addition, watch for Creativity Networking coming to the New Britain Museum of American Art on July 31 and August 28! The Creativity Networking series is part of a larger initiative to widely promote a more "Creative Connecticut." More details about this statewide project coming soon!

Creativity Networking is sponsored by the WindhamARTS Collaborative ... in partnership with the International Centre for Creativity and Imagination

ABOUT WINDHAM ARTS:
The WindhamARTS Collaborative is comprised of member arts organizations and individuals who came together in 2001 to foster and promote the arts and cultural life of the Windham region. Its goal is to maintain a multicultural, multidisciplinary, and multifaceted arts center where artists and artisans can interact with the public by sharing their creative endeavors. http://www.windhamarts.org/

ABOUT THE FACILITATOR:
Steven Dahlberg heads the International Centre for Creativity and Imagination, which is dedicated to applying creativity to improve the well-being of individuals, organizations and communities. He manages creative community projects for various institutions, serves as an adviser to the Guggenheim Museum’s “The Art of Problem Solving” research project, and serves as a juror to select public art for a new science education building. He collaborates with artists, scientists, business people, educators and others to help people develop their creativity. He has worked with UNESCO, Americans for the Arts, Heinz, the Connecticut Commission on Culture and Tourism, General Mills, and Yahoo! Research Berkeley, among other organizations. He’s led workshops and keynotes on creative engagement and participation at the international Creativity & Cognition Conference, the University of Connecticut's Confratute (summer institute on enrichment learning and teaching) and the State of Connecticut's Higher Order Thinking (HOT) Schools Summer Institute. Steven has more than 16 years of experience promoting and teaching creative thinking in the United States, South Africa, Europe and Asia. He was head an international creativity foundation, director of an annual creativity conference, program director of the Institute for Creative Studies in Minneapolis, and helped two long-time toy inventors launch a creativity consulting business. He has designed and taught three graduate-level creativity courses at Saint Mary’s University of Minnesota, as well as guest lectured at several universities. Dahlberg authored the foreword to the book, "Education is Everybody’s Business: A Wake-Up Call to Advocates of Educational Change," and edits the "Applied Imagination" blog. http://www.appliedimagination.org/

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SUMMARY ...
  • DATES: Come to any or all of the first-Wednesday-of-the-month sessions: March 5, April 2, May 7 & June 4, 2008
  • TIME: 5:30 - 7:00 p.m. -- Followed by dinner at Main Street Cafe, 967 Main Street
  • PLACE: WindhamARTS Collaborative, 866 Main Street, Willimantic, CT 06226 (860-450-1794 - www.windhamarts.org)
  • REGISTRATION AND INFORMATION: $5 donation; RSVP requested by phoning 860-450-1794 or emailing news@appliedimagination.org
  • FACILITATOR: Steven Dahlberg, International Centre for Creativity and Imagination, www.appliedimagination.org

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Friday, November 09, 2007

Education, quality thereof - A Profile of Berenice Bleedorn and E. Paul Torrance

This week's convention of the National Association of Gifted Children, taking place in Minneapolis, is recognizing creativity great E. Paul Torrance for his leadership in developing and promoting creativity in education. Today, the (Minneapolis) Star Tribune profiles another creativity great -- Torrance's student and my mentor and colleague, Berenice Bleedorn. Columnist Syl Jones celebrates Berenice's nearly 50 years of tireless work to integrate creativity into education, both in Minnesota and throughout the world. Perhaps the tipping point is finally coming ...

- Steve Dahlberg
[9 November 2007 - Star Tribune - Minneapolis, Minnesota] ... This week, the annual convention of the National Association for Gifted Children has taken place in Minneapolis. One of the attendees is a 95-year-old woman -- Berenice (Bee) Bleedorn -- whose powerfully active mind is still searching for ways to reshape society's views on education. As the hausfrau-cum-Ph. D. has rightly pointed out, if we would only start with E. Paul Torrance, our education system -- and our students -- would be the better for it. More

Thursday, September 27, 2007

Continental Creative President: European Leader Calls for Culture, Diversity and Openness to Solve Global Problems

[25 September 2007 - Applied Imagination - By Steven Dahlberg, Editor, Reporting from the Global Creative Leadership Summit, New York] The Global Creative Leadership Summit, hosted by the Louise T. Blouin Foundation, wrapped up today in New York. Among the Nobel Prize winners, global CEOs, neuroscientists and artists who participated in dialogues about global issues were several enlightened political leaders -- including the president of Iceland, the lieutenant governor of Louisiana and the European Commission President José Manuel Barroso.

In the United States, advocates of creative community and economic development are hard pressed to find leadership at the federal level of government -- starting with the omission of creativity and arts in most of education. Yet at the state level, leaders such as Lt. Governor Mitch Landrieu are spearheading projects like Louisiana's Cultural Economy Initiative to help put the state's culture and arts sector at the center of development -- including rebuilding New Orleans after Hurricane Katrina.

I was particularly pleased that President Barroso's closing keynote of the three-day summit made a strong case for the role of creativity, innovation and diversity for addressing global problems such as climate change and fighting poverty. "Those are the two main tasks of leadership in the 21st century," he said. The other global issue linked with solving climate change and poverty is culture. "Culture is a solution."

Though President Barroso's call for creativity was somewhat aimed at the role that Europe can play in addressing global problems, it also is relevant to the rest of the world for engaging people, organizations and communities in creative problem solving.

I will let President Barroso's final words speak for themselves:
Because it is with a paradigm of openness, of acceptance of the difference ... almost the love of difference, to like the difference ... and to see the difference not as a problem, but as something that increases the variety. It is with this attitude that we can face those challenges we have today.

We are now in the position of moving from a parochial system to a real open paradigm where we accept the difference -- not tolerate, but to accept the difference (I don't like the word "tolerance") -- as something that increases the variety and the richness of our world.

We have some common rules, of course, and those common rules have to be based in the old principles of freedom and democracy ... but that sees differences, including multi-culturalism, as something that is positive, not as a challenge. So the increased plurism in our society, as a multi-cultural society, is being something good, the cross-fertilization being something good for mankind, for the economy, for the culture, in general.

And this is the change, the evolution, of the paradigm that we need today, where no regional diversity should be pushed out, no culture should be destroyed, that individual identities are strengthened in order to play on the new global stage.

Some days ago I was in Kassel at Documenta, the most important contemporary art event in the world. It was amazing there! It was the best school of globalization I've seen recently because African culture, Latin American culture, Asian culture were not treated as folkloric as (they were) before, but at the same level of respect with European or American culture.

So what's going on in the field of culture, of art, is really amazing. And we should find there the inspiration also for many of the political problems we are now facing.

What we should now do and work (toward as) political leaders, as creative people, from the sciences, is precisely:
  • Proposing, not imposing, solutions.
  • Not imposing results, but proposing solutions.
  • Asking questions where we try to establish the links and the connectivities between creativity and innovation.
We need at the same time, all the benefits of the innovation that is now brought by technological discoveries; but (also) the creativity making, very often, the links with the old humanities.

This is where we bring the idea of connection -- using knowledge effectively from science AND culture (when I say "culture" I include the poetry, I include the arts) -- bringing together those aspects, not just technological innovation, but creativity of spirit.

And this is the kind of leadership we need -- leadership that brings humanism back into (the) question. In the European Union, we can give a contribution to this because we are trying to promote an open, outward-looking, engaged society. That is why I believe we have to do that with others (around) the world. Not with the old idea of sovereign states that try to rule the world, but precisely working with the member states, with the idea of a "community of interest" with an ethic of a global responsibility. In Europe we are well-placed to do that and we want to do that with our good friends around the world.
In the United States, we need to start advocating for a similar approach and taking deliberate steps to make policies that both support and apply creativity in our cities, states and nation. Perhaps we will begin to hear more specifics about "creative communities" from the U.S. presidential candidates (are we moving that direction?). Indeed, such a position might even help that candidate differentiate himself or herself from the other candidates -- and make an important contribution to 21st century challenges at home and abroad.

Saturday, March 10, 2007

Intelligent Design

[4 March 2007 - Star Tribune - Minneapolis] On the heels of the information age, which seems to have just arrived, come suggestions that we've entered a new era, one in which creativity, design, aesthetics and the ability to forge emotional links will drive the American economy. Editorial writer Steve Berg recently discussed the trend with Thomas Fisher, dean of the University of Minnesota's newly formed College of Design, which incorporates architecture, landscape, cities, interiors, fashions and graphics into a singular effort. ... The information economy is still with us. But the paradoxical effect of the Internet is that it has made information so widely available that it holds no real economic value. Everybody can get incredible amounts of information, so there's no competitive advantage of having it. The idea of the design economy is that, for developed countries like ours, which cannot compete in a global marketplace on price or even quite often on the quality of a product, we have to compete on the basis of innovation, creativity and imagination, which takes you to design. By design, I don't mean just aesthetics but function and cultural adaptability. More