A blog exploring ideas about creativity, creative thinking, creative problem solving, innovation, applied imagination, education, creative studies and more. Edited by Steve Dahlberg.
Tuesday, March 24, 2009
Author: Educated girls are key to peace
A practical guide to managing innovation
Monday, March 23, 2009
The Key to Job Creation: New Ideas
Friday, March 20, 2009
Book Review: Chasing the Dance of Life
Want to laugh and cry, and say, "Oh, my?"
And then, "Oh, yes, oh, yes?"
Read Cynthia Winton-Henry's new book, Chasing the Dance of Life – a faith journey.
Cynthia, co-founder of InterPlay, speaks with candor and honesty about her struggle to find a place in the world for her dancing spirituality. She says of herself, "What do you do if you hear voices or see things? ... You should shut up. However, if there are voices that prod you to quench the thirst for big human needs like Love, Justice, and Freedom, you might become a blabbermouth performance artist like me." (p. 9) Like a ballerina doing tour jette's in a china shop, Cynthia plunges into confrontation with church officials and august parishioners, while we stand with our mouths open in admiration and fear.
She starts with her struggles as a child, teenager, and college student to pull her love of dance and her spiritual inclinations together. Her joy at finding Carla DeSola, Doug Adams, Pacific School of Religion, Judith Rock, and the Sacred Dance Guild is tempered by the struggle as an ordained minister in the Christian Church (Disciples of Christ) to carry dance into the church. When, eventually, she finds she needs to renounce her ordination she doesn't just slip away from the church, she demands the right to have a ceremony of de-ordination to counter the ordination ceremony.
She wrote this memoir specifically to show why she eventually renounced her ordination, but her struggles go beyond just the struggle with this particular denomination or even with "the church" in its larger sense. She is struggling with the way of life she grew up with, finding new ways to approach people who are different, new ways to live in a material world, new ways to see our world, our life.
When subtle acts of humming birds and eagles speak to her, she dares to see them as prophecy. She analyzes marriage and comes up with new metaphors that better fit reality than the older ones that don't seem to work. She jumps dancing feet first into life and discovers, "For young or old, the universe loves a dancer." (p. 216)
And the message? She says:
Stubborn standers, beware.
Planted on twin pillars
Of righteousness
And self-righteousness
Your footing stiffens
In that precarious pose.
Resist -- you stand against.
Consist -- you stand with.
Persist -- you stand through.
Insist -- you stand in.
All stands degrade.
Want peace?
Release your footing.
Dance life's stubborn dance
(Winton-Henry, Cynthia, Chasing the Dance of Life – a faith journey, Berkeley, CA, the apocryphile press, 2009, 255 pp)
On Hope
Monday, March 16, 2009
Why Bad Times Nurture New Inventions
Friday, March 13, 2009
Help Support Strong Arts in Connecticut -- a Budget Issue
Steve Dahlberg
International Centre for Creativity and Imagination
Willimantic, Connecticut
http://www.appliedimagination.org
================
Governor M. Jodi Rell March 8, 2009
Executive Office of the Governor
State Capitol
210 Capitol Avenue
Hartford, Connecticut 06106
Dear Governor Rell,
As the focus of much of government turns to the financial sector and the word "crisis" is foremost in the media's dialogue, it is important to remember the fundamental contribution The Arts make in our culture and to our cultural stability. Yet, in Connecticut the artistic endeavor is
being undermined.
For example, the proposed incorporation of the Commission on Culture and Tourism (CCT) into the Department of Economic and Community Development (DECD) is not a hallmark of efficiency; but rather it is a damaging consolidation. Keep in mind, of the 50 state arts agencies; CCT is the only state arts agency to not define itself as arts-centric. No other state is making arts as inaccessible, or proposing such consolidations. Should Connecticut have the dubious distinction of taking a lead role in arts exposure reduction?
Often the arts are considered frivolous and non-essential to education. I would contend that society is measured by its art, architecture and literature. Furthermore, science and art are not mutually exclusive. You may be aware that the Mars space rover unfolded from its transport ship because the NASA engineers were familiar with origami, the Japanese art of paper folding. This is a wonderful example of the confluence of art and science. Children learn in different ways and the language of art makes that learning more accessible.
As The Constitution State, Connecticut has a distinction of leadership. As Governor, your exemplary contributions can help ensure Connecticut arts programs continue to lead. Respectfully, I suggest the following:
1. Assure the arts division will maintain staffing and funding to carry out their work.
2. Ensure the right staff are in place and available to meet the challenges.
3. Creation of a Volunteer Arts Advocacy organization, similar to Volunteer Lawyers for the Arts, to maintain Connecticut Arts posture and integration.
4. Convene a forum to assess the status and needs of CCT arts programs.
Through CCT, I have been featured on the cover of the CCT Teaching Artist Directory (left), my work is displayed in Senator Lieberman's Washington, DC office as part of CCT's Art in Public Spaces program, and Senator Lieberman selected me as Connecticut's 2008 White House
Christmas Ornament Artist. I mention this, not out of self-interest or self-promotion, but to establish credibility.
Sincerely,
Mark Patnode
Making the Sale: How to Pitch Your Ideas
Can Fearful Memories Be Erased?
Isolating creativity in the brain - On improv, music, the brain and creativity
Thursday, March 12, 2009
'Mind-reading' experiment highlights how brain records memories
Wednesday, March 11, 2009
An Undaunted Soul
And I am none of them.
When I write, my fingers
get covered not in ink, but in blood.
I think I am nothing more than this:
an undaunted soul.
-- Words Nikos Kazantzakis used to describe himself in 1950
Sunday, March 08, 2009
On the Creative Life
Friday, March 06, 2009
On the Creativity of Young People
Thursday, March 05, 2009
Special People Deal with the Unknown and Unknowable and Make Things Up
[Plus, read more in this same article about German artist Joseph Beuys -- "My life in art: How Joseph Beuys convinced me of the power of conceptual art" ... Beuys's strange work changes the status quo into a world where facts and fiction are indistinguishable]
Wednesday, March 04, 2009
Developing entrepreneurship among the world’s poorest
Saturday, February 21, 2009
Everyone an Artist
Monday, February 16, 2009
The Valentine Peace Project
Loneliness as Harmful as Smoking - Loneliness Affects Brain
Selling Culture as an Economic Force ... Saving Federal Arts Funds
Sunday, February 15, 2009
On Education - Our Greatest National Shame
Thursday, February 12, 2009
Richard Florida on How the Crash Will Reshape America
Thursday, January 15, 2009
How to fix the innovation gap: A conversation with Judy Estrin
Ken Robinson Encourages Creativity, Passion and Talents
[15 January 2009 - Applied Imagination - By Steven Dahlberg, International Centre for Creativity and Imagination] Creativity writer and consultant Ken Robinson launched his new book, "The Element," last night at the Ridgefield Play House in Connecticut at an event sponsored by The Aldrich Contemporary Art Museum.Robinson began by reminding the audience of the power of the imagination. "All cities owe their existence to imagination," he said. "It's this power of imagination will take us into the future -- or not. And it's this kind of imagination that's most at risk. I think we squander it. Not only squander it -- but suppress it ruthlessly."
Robinson went on to talk about his concept of "the element," which includes:
- Discovering what one's talents are. Doing something for which one has a natural aptitude. Doing something with which one resonates. "Many people have never discovered their real, natural talents."
- Doing something one loves to do. "People achieve their best when they do what they love."
He urged people to pay attention to what assumptions they make and what they take for granted. "Things we take for granted turn out not to be true," he said.
Robinson suggested this country has a "crisis of human resources" in which people area unaware of what they are good at, what talents they have, and how to do what they love to do. "Human resources are often buried deep," he said. "You have to go looking for them."
He said the conditions need to be right for these resources to reveal themselves -- and then one has to be ready to do something with them when they appear. He used the example of the flowering of the normally barren Death Valley in 2005 as an example how deeply buried seeds can lay dormant for scores of years waiting for the conditions to be right to sprout and flower. "Death Valley is dormant, not dead," he said.
As always, Robinson critiqued education's overemphasis on particular kinds of thinking and learning (a la his TED presentation on "Do Schools Kill Creativity?" which has been viewed online by a couple of million people).
"Education was devised to develop a particular type of talents," he said, adding that people think they are not smart because of the hierarchy of what kind of thinking is taught and shown importance.
Robinson shared what the three founders of The Blue Man Group are doing to address the lack of creativity in education. They have founded The Blue School. This will be something to watch -- if not participate in.
His final message came from the tag line of his book:
"Finding your passion changes everything."
===
I was honored to also participate in a pre-lecture Roundtable on "Innovation in Our Schools" with colleagues from education, arts, business and government. The Aldrich Contemporary Art Museum hosted the Roundtable as a means of bringing together creativity advocates from different fields to move forward creativity and education topics. The question the Aldrich organizers asked was:
"What does it look like, feel like and sound like when all of the partners in a student's learning community (i.e. peers, teachers, administrators, parents, coaches, community organizations, businesses, etc.) model creativity and innovation in a way that serves the student?"A brief summary of responses included suggestions to focus on:
- What "success" looks like and how it is defined -- and to include such components as passion, talents and creativity, as described above by Ken Robinson.
- Mentoring.
- The power of process.
- Communicating creative and critical thinking processes.
- The "making" of things.
Monday, January 12, 2009
Mead on Diverse Unity
Friday, January 09, 2009
Urban Education Commentary
- Building "smart education systems.”
- Changing the nature of teaching as a profession.
- Redefining the role of parents and communities in education.
Tuesday, January 06, 2009
WindhamARTS Hosts Creativity Networking With New York Composer/Violinist Roumain
[6 January 2008 - International Centre for Creativity and Imagination - By Steven Dahlberg] New York-based composer, performer and violinist Daniel Bernard Roumain will be featured at the WindhamARTS Collaborative’s Creativity Networking event, which will explore “Threads of Creativity in Art and Science.” It will be held Wednesday, January 7, 2009, from 5:30 to 7:30 p.m. at The Annex at WindhamARTS, 866 Main Street, Willimantic, CT, 06226. The event is $5 and open to all; RSVP to 860-450-1287.Roumain will be joined by artist Imna Arroyo, scientists Hedley Freake and Christian Brueckner, creativity educator Steven Dahlberg, and the public to explore the intersection of creativity, art and science. This event is in collaboration with the Jorgensen Center for the Performing Arts and the University of Connecticut's "Year of Science 2009” project.
The monthly Creativity Networking Series is sponsored by the WindhamARTS Collaborative and the International Centre for Creativity and Imagination. It provides a regular forum for people to explore the many facets of creativity and to discover other people interested in creativity. Additional support comes from the Willimantic Brewing Company.
Roumain will return to Connecticut for a bicentennial celebration and performance of his composition, "Darwin's Meditation for The People of Lincoln," on February 12, 2009, celebrating that auspicious day of February 12, 1809, when Darwin and Lincoln were born within hours of one another. This performance launches the University of Connecticut’s "Year of Science 2009." More information about the performance is available here. Ticket information is available online.
ABOUT THE GUESTS:
Known for fusing his classical music roots with a myriad of soundscapes, Haitian-American artist Daniel Bernard Roumain (DBR) has carved a reputation for himself as a passionately innovative composer, performer, violinist and band leader. His exploration of musical rhythms and classically-driven sounds is peppered by his own cultural references and vibrant musical imagination. As a composer, his dramatic soul-inspiring pieces range from orchestral scores and energetic chamber works to rock songs and electronica. According to the New York Times, his "eclecticism was wide-ranging as ever" in One Loss Plus, DBR's evening-length, multimedia work for electric/acoustic violin, prepared/amplified piano, electronics, and video which debuted at BAM's 2007 Next Wave Festival. The second commission, which premiered at BAM's 2008 Next Wave Festival is "Darwin's Meditation for the People of Lincoln," a musical setting of a new pocket play by Daniel Beaty exploring an imagined conversation between Darwin and Lincoln featuring the chamber orchestra SymphoNYC, and internationally renowned Haitian recording artist Emeline Michel.
Artist Imna Arroyo was born in Guayama, Puerto Rico. Her work is in numerous collections including the Museum of Modern Art Library/Franklin Furnace Artist Book Collection, Yale Art Gallery and Schomberg Center for Research and Black Culture. She is a professor of art at Eastern Connecticut State University, where she has chaired the Visual Arts Department.
www.imnaarroyo.com
Hedley Freake is a professor at the University of Connecticut in the Department of Nutritional Sciences, with a joint appointment in molecular and cell biology. He holds a Ph.D. in physiology from the Royal Postgraduate Medical School in London. His research has been funded by National Institutes of Health and United States Department of Agriculture. His laboratory uses molecular approaches to address questions of nutritional significance.
www.canr.uconn.edu/nutsci/nutsci/hpg/freake.html
Christian Brueckner is a professor of bioinorganic and inorganic chemistry at the University of Connecticut, where he runs a lab that specializes in the synthesis of molecules with designed properties -- or, creating molecules.
www.appliedimagination.org
ABOUT WINDHAMARTS:
The WindhamARTS Collaborative is comprised of member arts organizations and individuals who came together in 2001 to foster and promote the arts and cultural life of the Windham region. Its goal is to maintain a multicultural, multidisciplinary, and multifaceted arts center where artists and artisans can interact with the public by sharing their creative endeavors.
www.windhamarts.org
Harvard Business School Discusses Future of the MBA
Monday, January 05, 2009
Having Happy Friends Can Make You Happy
On Creative Leadership
said: "I cannot give you the formula for success, but I can give you the
formula for failure -- which is: Try to please everybody."
Friday, January 02, 2009
On Writing and Community
"What we do might be done in solitude and with great desperation, but it
tends to produce exactly the opposite. It tends to produce community and
in many people hope and joy."
Wednesday, December 17, 2008
Museums alienate public from arts, says think-tank Demos
Monday, December 15, 2008
Tony Buzan: Brain play - the never-ending story
Wednesday, December 10, 2008
On Creative Thinking ... and Being
Sunday, December 07, 2008
Obama on Arts, Education, Science and Discovery in the White House
A few hours ago, at the end of his interview with Tom Brokaw, President-Elect Barack Obama talked about the importance of culture, arts, education and science.
[7 December 2008 - NBC Meet the Press] MR. BROKAW: Let me ask you as we conclude this program this morning about whether you and Michelle have had any discussions about the impact that you're going to have on this country in other ways besides international and domestic policies. You're going to have a huge impact, culturally, in terms of the tone of the country.Using the White House as a bully pulpit to promote ideas, creativity and learning would be a marked switch from the past eight years. What topics, people and ideas do you want to see showcased within these domains?
PRES.-ELECT OBAMA: Right.
MR. BROKAW: Who are the kinds of artists that you would like to bring to the White House?
PRES.-ELECT OBAMA: Oh, well, you know, we have thought about this because part of what we want to do is to open up the White House and, and remind people this is, this is the people's house. There is an incredible bully pulpit to be used when it comes to, for example, education. Yes, we're going to have an education policy. Yes, we're going to be putting more money into school construction. But, ultimately, we want to talk about parents reading to their kids. We want to invite kids from local schools into the White House. When it comes to science, elevating science once again, and having lectures in the White House where people are talking about traveling to the stars or breaking down atoms, inspiring our youth to get a sense of what discovery is all about. Thinking about the diversity of our culture and, and inviting jazz musicians and classical musicians and poetry readings in the White House so that, once again, we appreciate this incredible tapestry that's America. I--you know, that, I think, is, is going to be incredibly important, particularly because we're going through hard times. And, historically, what has always brought us through hard times is that national character, that sense of optimism, that willingness to look forward, that, that sense that better days are ahead. I think that our art and our culture, our science, you know, that's the essence of what makes America special, and, and we want to project that as much as possible in the White House. More: Full Text of Interview (plus video)
With Obama raising such possibilities, it's a good reminder to sign the petition online to support Quincy Jones' idea for Obama to create a Secretary of the Arts cabinet position, too.
Saturday, December 06, 2008
On Creativity
dancing star." -- Friedrich Nietzsche
Friday, December 05, 2008
Encourage Obama to Create 'Secretary of the Arts' Cabinet Position
To: President-Elect Barack Obama
Congratulations and thank you for all you do.
Your good friend Quincy Jones said: "...next conversation I have with President Obama is to beg for a Secretary of Arts."
[November 14th 2008 WNYC interview by John Schaefer on "Soundcheck."]
We the undersigned support Quincy Jones' plea.
Sign the petition here.
Monday, November 17, 2008
Kresge Foundation President Urges Foundations to Help Revitalize American Cities
Tuesday, November 11, 2008
A call for guts
Potential of Facebook to transform the future ...
Another potential area to consider ... How might social networking media help link the creativity of citizens in small towns and rural communities to positively shape and transform their communities? Creative community development is not just an urban issue. What ideas do you have for how this might happen?
[Fall 2008 - World Policy Journal] Check out "The Middle East's Generation Facebook" article by Mona Eltahawy, who writes in this piece:
"In 2005, activists breached not just laws against public demonstrations, but taboos of protesting against Mubarak himself, with street protests that focused on Egypt and its internal discontents. But that movement was perhaps too early to rally the masses and was criticized for being out of touch with the needs of ordinary Egyptians. The recent Internet-inspired activism has flipped the script -- the needs of the masses have sparked a wave of unprecedented activism among young Egyptians. Bloggers have been instrumental in the conviction of police officers for torture and in getting neglected stories into the headlines. The Internet has given young people like Shahi a space that does not exist in the 'real world.' They're using it to create grassroots groups and communities that will eventually translate into a real presence in society, and this bodes well for their ability to influence the futures of their respective countries. Generation Facebook might not be able to change their regimes today, but in building communities and support groups online, they are creating the much-needed middle ground that countries like Egypt desperately require. And, sadly, it is surely in recognition of that nascent power that regimes as aging, paranoid, and powerful as Egypt's Mubarak now arrest, imprison, and harangue bloggers and online activists. ... As Generation Facebook grows older and more assured in its ability to organize and unite, it will be confronting a potentially inexperienced leader in the form of Gamal Mubarak with potentially tragic and unforeseen consequences. ... I am confident that Generation Facebook is planting the seeds of an opposition movement that gives Egyptians, and by extension the whole region, an alternative to the state and the mosque. In 2033, I will be 66 years old. Nothing would make me happier than to see Shahi, Ibrahim, and Maha make my dream come true." More (PDF)
Thursday, November 06, 2008
Change
Saturday, October 25, 2008
De Smet and Dahlberg to Share Willimantic’s Creativity at World Cultural Economic Forum in New Orleans
"Leaders from more than 50 countries are coming to Louisiana to take part in the WCEF," said Lt. Governor Landrieu. "Some of the world's brightest minds will be in New Orleans, dialoguing about best practices for growing cultural industries as a part of our global economy. Together, we will build economic opportunities by supporting creative and cultural industries such as food, film, music and art."
De Smet will represent Willimantic's stories of creativity and success in a panel on "Strategies for Developing Creative Industries," along with panelists from The Netherlands, Sweden, Romania, Ghana, South Africa, France and Ireland. This group will address programs and policies that support a productive cultural economy. They will share how countries and communities can address cultural economic development in all areas of the cultural economy – design, entertainment (film, music, live entertainment, and performing arts), literary arts and humanities, visual arts, culinary arts, and historic preservation.
Dahlberg, who heads the Willimantic-based International Centre for Creativity and Imagination, will chair a panel on "Engaging Creative Communities." This session will explore what creativity is, what it looks like in communities, how communities can engage citizens' creativity in shaping the community, and the poetry of cities. De Smet also will participate with panelists from Maine, New Orleans and England.
The WCEF includes three components: a two-day forum for world cultural economy leaders to explore best practices for growing cultural industries, a World Bazaar and Marketplace featuring artisans and vendors from around the world and across Louisiana, and more than 100 cultural Passport Events held across the state throughout October to showcase Louisiana's unique culture and heritage.
"We are delighted to sponsor the World Cultural Economic Forum in New Orleans this year," said Secretary Stephen Moret of Louisiana Economic Development. "The World Cultural Economic Forum provides Louisiana an opportunity to showcase its many assets to cultural economy leaders from around the world. The relationships we build with these leaders can yield investments in our economy for years to come."
World leaders from Australia, Bosnia and Herzegovina, Canada, Denmark, Greece, France, Iraq, Italy, Mexico, Morocco, The Netherlands, Pakistan, St. Vincent & The Grenadines, South Africa, Spain, Sweden, United Arab Emirates and the United Kingdom will be among those represented at the WCEF.
George Pataki, former governor of the state of New York, and Renaud Donnedieu de Vabres, culture ambassador for the European Union, are among those leading sessions during the two-day Forum.
More about the WCEF
Wednesday, October 01, 2008
Eureka! How Distractions Facilitate Creative Problem-solving
The Life Cycle of Great Business Ideas
Tuesday, September 30, 2008
Predicting Future Happiness
Monday, September 29, 2008
Gardner Promotes "Five Minds" for the Global Future
Gardner, who is a professor of education at Harvard University, described five minds that are important -- disciplined, synthesizing, creating, respectful and ethical -- and require different kinds of intelligence.
"You can't have it all," he said. "There are tensions between these kinds of mind." He suggested that education policies need to address these conflicting tensions. He further described each of these "minds":
- DISCIPLINED: knowing something well and working on it.
- SYNTHESIZING: the ability to deal with inundation of information; understanding what to pay attention to, what to ignore; and how to put this information together.
- CREATING: thinking outside the box; having new ideas. "You can't think outside the box unless you have a box," said Gardner. "You need the disciplined mind, too."
- ETHICAL: asking what one's responsibilities are as a worker or citizen; not "what are my rights?"
- RESPECTFUL: more than tolerance of differences; cultivating respect and emotional and interpersonal intelligence.
"You can't develop all these minds in every single person," he said. "The society in which one lives decides what we should be emphasizing." For example, Gardner pointed out that some East Asian countries overemphasized discipline at the expense of creativity.
"Each person needs to figure out the right blend of these minds," concluded Gardner.
Gardner shared these ideas during the Global Creative Leadership Summit opening session on "What If? Scenarios: The Futures of Globalization." It was held September 21, 2008, in New York.
ABOUT THE SUMMIT AND SPONSOR: The Global Creative Leadership Summit, sponsored by the Louise Blouin Foundation, is a three-day forum that brings together great international minds -- including heads of state, CEOs, Nobel Prize-winners and acclaimed artists -- to address pressing global issues, including geo-economics, foreign policy, education, health, poverty and climate change. The Summit also has a goal to work with developed and developing nations alike in order to best address global issues. The Louise Blouin Foundation is an international nonprofit organization that seeks to provide a globalization platform to address challenges in such diverse areas as international trade, foreign policy, education and the environment through the lens of culture and neuroscience.
Wednesday, September 24, 2008
Are We Failing Our Geniuses?
Tuesday, September 23, 2008
Creativity, Education and the Brain
- How might education promote cultural understanding? Not just skills and knowledge; but becoming citizens who understand the working of societies, or respect the well-being of the other.
- How might culture be used to promote the well-being of others?
- How might the arts and humanities fields be used in schools to promote cultural understanding?
He said one way that neuroscience can be used in support of education is to better understand how neurobiology illuminates the social process -- what brains are doing when they are engaged in social interaction..
Highlights and comments from the rest of this session:
- "Play is a child's work," said Hasbro Chairman Alan Hassenfeld. He is also working to set up one global human rights standard for toy safety.
- Seattle-based artist Susan Robb said she frequently asks students WHO they want to be rather than WHAT they want to be. She also suggested used Visual Thinking Strategies as a tool for helping young people understand art.
- Architect Richard Meier said that new thinking and new ways of rebuilding our cities -- such as post-Katrina New Orleans -- are being ignored.
- Australian neuroscientist Richard Silberstein said there's been an explosive pathologizing of ADHD with three- to nine-percent of the population supposedly afflicted by it. This caused him to wonder if some people being medicated for a pathological condition labeled "ADHD" might actually have something else going on. That is, might there be a spectrum of thinking styles, which ranges from more convergent and orderly thinking (the kind often found in classrooms) to more divergent and dynamic thinking. In a study that is just beginning to produce some results, he is finding connections between ADHD, high IQ and high levels of creativity. Using the Torrance Tests for Creative Thinking and neuroscience measurements, he is looking at connections between creative thinking and the way that regions of the brain communicate with each other. He said that the brain states required for focused work are not the same as those necessary for high creativity. Finally, he talked about the connection between motivation and hope and the importance of a neurobiology of hope. He said hopelessness lowers the neurotransmitters that make learning possible.
- Allan Goodman, president and CEO of Institute of International Education, said brains need safety. He talked about the issues of mobility and safety for scholars, especially in countries with high levels of threats and violence.
- Johns Hopkins neuroscientist Majid Fotuhi said that "learning requires a healthy brain." He pointed out the connection between obesity and dementia, and said that childhood obesity is affecting the brains of children both now and in the long term. Brains of overweight children do not get enough oxygen, which in turn affects the overall health and functioning of the brain.
- Wikipedia founder Jimmy Wales talked about the importance of informal learning communities and how technology and informal processes can enhance and encourage creative exploration and the playing with ideas.
- Oxford neuroscientist Colin Blakemore raised the interplay between common sense, education, science and the brain. For instance, he asked why many schools have not changed their language-teaching curriculums to teach languages to children younger than 10, rather than in middle and high school were many students still begin learning languages. Brain research shows the brain's great capacity to learn languages in the first 10 years of its development, yet schools often teach language after the brain as foreclosed on its peak language-learning capacity. He advocated for a new biologically based science of education, which better integrates neurosciences insights about learning into how society does education. Finally, he talked about the importance of learning in real situations versus structured, metaphorical ways; and the importance of teachers conveying their own passion and enthusiasm. "Great teachers convey the great enthusiasm that drives them."
- MIT neuroscientist Nancy Kanwisher asked: How can education enhance our capacity to express empathetic understanding? How might we use the Web to create cheaper versions of cultural and educational exchanges for young people, given the great impact of such face-to-face exchanges?
- Oxford physiologist John Stein emphasized again the importance of active learning as a much better way for teaching children. He said many communities and schools have an obsession with safety that has outweighed the opportunities for play and for being in nature. Talking about visually dyslexic people, he said many of them are incredibly creative, though they have problems reading. He's interested in the ways and the why that dyslexics are creative. He also shared his research about the impact of poor nutrition on learning and the brain. He has found impaired brain cells in dyslexics and his research has shown positive improvements in some people when they increase their intake of vitamins, minerals and Omega-3 fatty acids. He said a deficiency in nutrition can lead to an inability to pick up social cues. In one of his prison studies, he found that by addressing nutrition deficiencies in prisoners, there was a one-third reduction in further offending.
- The Netherlands Prime Minister Jan Peter Balkenende summarized what he heard from these contributors: the importance of informal learning and its relationship to the formal classroom; responsible citizenship is core to a good society; the role of culture and art and whether one's country or community has a stimulating climate of culture; and the importance of education for positive social interaction.
- Gerard Mortier, director general of the Paris National Opera, said art is not an appendage of society, but at its center.
- Finally, Teachers Without Borders founder Fred Mednick asked how might we scale goodness?
Jane Goodall Seeks Creative, Engaged Kids Who Want to Make a Difference
Drawing from her decades of work studying chimpanzees, she described how chimpanzee childhood is marked by sheer joy and the freedom to explore. She said that by exploring the social and physical world around them, chimpanzees learn not only their own strengths and weaknesses, but those of others around them, too. Chimps are curious, inventive and adaptive. They are able to pass on learning to others around them.
This natural creativity in early childhood is not unlike that of human childhood.
Yet, "we are depriving children of their childhood," Dr. Goodall said, because of the over-structuring of their lives and free time.
Dr. Goodall described the Roots & Shoots program that she founded to emphasize experiential learning with a focus on the outdoors and nature -- with its goal of "no child left inside." She said Roots & Shoots helps children develop their own passion, empowers them to come up with their own ideas, and provides opportunities for hands-on action in their communities.
Roots & Shoots participants choose projects that will positively impact people, animals and the environment. Through these hands-on experiences, Dr. Goodall hopes young people gain a better understanding of what it means to "live in harmony."
"Every single one of us makes a difference," she said, adding that she frequently speaks with young people whom have never been told this. "We all have a choice what kind of impact we'll make."
Dutch Prime Minister Espouses Creative Education
He shared a story from Holland about a business-based, project-based curriculum where 13 year olds translate an idea into the reality of an entrepreneurial business -- managing all aspects of the process. He said the goal of this program is not to make every student a business person, but to recognize different ways of learning and of being creative.
He insisted that society should recognize the importance of children's natural openness and curiosity, and encourage them to follow their passions for things that matter. He said education should focus on developing children's talents.
"Every child carries a seed of creativity inside," the prime minister said. "It's up to us adults to help that seed flower."
Prime Minister Balkenende also described the Design Academy Eindhoven, which Time magazine has described as the "school of cool." This school, built in an old factory, is integrating the role of human and social needs with sustainable goals in design challenges. For instance, he asked how these students might design a transportation system that makes people want to use it instead of driving.
"Everyone has the right to an education that makes the seed of creativity grow and flourish," he said.
